| Chinese children’s films have developed to present a rich variety of storytelling content and expressions.Some of these children’s films have developed the following characteristics: they feature children as the protagonists,but contain connotations that go beyond children’s understanding,and their audiences are mainly adults.This article therefore takes children’s films with adults as the audience since the founding of the PRC as the object of study,and explores the wider artistic scope of children’s films in their creation.The thesis consists of four chapters.The first introductory chapter clarifies the concept of "children’s narrative" films,which explicitly target adults as the audience.Chapter 3 explores the themes and values of the films in relation to the portrayal of children,and reflects on the theoretical and creative shortcomings of Chinese "the perspective of ault children" films.The third chapter explores the themes and values of the film in the context of the portrayal of children,and reflects on the theoretical and creative shortcomings of Chinese "the perspective of ault children".The fourth chapter analyses the practical attempts of "narrative children" film research in the context of the author’s short films.The article focuses on the fact that in ’the perspective of ault children’s’ films,the image of the child becomes a container for emotions and opinions,and contains more complex meanings.When creating a’narrative child’ film with adults as the audience,we should first clarify the problems faced by the child at the centre of the narrative,rather than creating an empty child character based on an adult vision,and carefully consider what kind of reaction the film expects from the adult world in order to clarify what the film is trying to say in its creatio. |