On The Festival Narrative In Wang Meng’s Novels

The thesis takes the festival and celebration narration in Wang Meng’s novels as the research object,grasps the "continuity" and realistic characteristics of Wang Meng’s creation process,and gradually carries out the research according to the order of text-writer-world research perspective.The introduction starts with the reason for choosing the topic and the three "turning points" of Wang Meng’s literary creation process,and initially establishes the overall view of Wang Meng’s novels.It also made preparations for the article from the three directions of "research review","concept interpretation" and "research path",completed the research review of Wang Meng’s novels with "festival" as the axis,and completed the definition of festivals,festivals,revolutionary festivals,celebrations and other important concepts.Combined with the experience and methods of folklore and sociology in the study of festivals,the article framework,research methods and research values are sorted out.The first chapter combs the theme of festival narration in Wang Meng’s novels.From the "geographical experience of festival narrative","individual experience of grand narrative",and "theme change of memory narrative" three sections are discussed.From the perspective of writers’ geographical experience,it can be subdivided into the traditional festivals of Han ethnic group in North China,the traditional festivals of ethnic minorities in Xinjiang,and the western Christmas and Jesus rituals in the world.From the perspective of grand narrative,the modern political festival can be subdivided into the festival narrative of youth,the train narrative,the square narrative,and the sense of festival in working life.The first chapter also examines the theme changes of Wang Meng’s repeated writing of the memory of revolutionary festivals in the 1950 s and the memory of frontier festivals in the 60-70 s from the perspective of "the theme changes of memory narration",and points out that the narrator has reached a reconciliation between himself and memory in the process of memory recall with strong subjective will.The second chapter analyzes the artistic meaning of the festival narration in Wang Meng’s novels.This paper discusses the artistic characteristics and ideological implications of festival narration from the introduction of the poetic concept of "inside and outside".In the "Inside" section,the festival unit in private life narrative and the sense of festival in daily life narrative are discussed,and the reasons for the formation of private festival spirit are further considered.In the "beyond" part,this paper discusses the carnival implication of festival narration from two aspects of content and language,and further considers the irony behind the carnival language of festival narration,as well as the ideological core calling for rational spirit.The third chapter summarizes and explores the cultural value of festival narrative in Wang Meng’s novels.The festival narrative in Wang Meng’s novels contains a wealth of rich content of festival customs,such as the customs of ethnic minorities in the border areas,the customs of Han Chinese New Year,and the customs of temple fairs in Beiping.In the structure of the novel,festival coordinates have the function of indicating time,and the imagery value and structural value of the four seasons cycle are the focus of analysis.In addition,the writing of festivals in Wang Meng’s novels has a literary mirror value that contrasts with the historical changes of festivals.The conclusion summarizes the characteristics of festival narration in Wang Meng’s novels,explores the life experience philosophy behind the main emotional characteristics of festival narration,and explains Wang Meng’s life attitude of "non poetic dwelling".