Research On Su Shi's Poetic Though

The social productivity of the Song Dynasty has been rapidly improved,the political environment is relatively relaxed,the national policy vigorously supports cultural development,and fruitful achievements have emerged in literary practice and literary theory construction.As far as the field of poetics is concerned,in the middle of the Northern Song Dynasty,Su Shi enters the stage of poetry with the practice of pluralistic and inclusive poetry creation and the concept of innovative poetic theory,and gradually assumes the mission and responsibility of the leaders of the poetry world.He carries on the achievements of the poetry movement innovation made by Ouyang Xiu and Mei Yaochen in the early Song Dynasty,and continues to explore how to write poetry.He puts forward many unique ideas and ideas,which is of great significance to the establishment and stereotype of Song poetry and the development of later poetry.Su Shi wanders in the Three Schools of Confucianism,Buddhism and Taoism,forming the life attitude,cultural concept and aesthetic paradigm that integrates hundreds of schools of thought,which prepares a solid foundation for the construction of his poetic thought.In terms of the understanding of the functional value of poetry,Su Shi requires that the poetry creation should maintain an ironic concern for social reality,and this obviously reflects the Confucian traditional ethics background of his poetics theory.In addition,Su Shi,who is fond of indulging in landscapes and visiting friends and seeking truth,also advocates the use of poetry to express his will and lyricism and aesthetic singing.For the main body of poetry creation,Su Shi emphasizes the importance of learning and accumulation and experience.On the one hand,the social atmosphere of attaching importance to literature called for the creator to reserve a large amount of cultural knowledge,which helps the generation of the characteristics of “taking talent as poetry” in Song poetry.On the other hand,Su Shi’s life is full of ups and downs in his official career.The wandering life enables him to appreciate the local customs and practices.He attaches great importance to the various tastes in the experience,and personally expresses what he has seen and heard in poetry.And,his poetry is always full of personal feelings.Meanwhile,Su Shi has developed his understanding of the content and structure of poetry creation.First of all,the independence of “interest” as an aesthetic category has been improved under his discussion,and the concepts of “odd interest”,“humorous interest” and “rational interest” are clearer.In the second place,Su Shi elucidates his poetic theory by Zen thought.Zen’s enlightenment and Buddhist terminology deepens his speculative taste of poetic theory,and the aesthetic method of “metaphor poetry with Zen” is implemented.Moreover,Su Shi has a special preference for “plain” taste.He always regards the aesthetic realm of no carving and nature as the advanced pursuit of poetry.In addition,Su Shi renovates the techniques of poetry creation.Firstly,as an artistic generalist,Su Shi is good at transplanting the creative skills of painting and calligraphy into poetry.The methodology of “integration of poetry and painting” and “similarity of poetry and calligraphy” enhances the natural and vivid expression of poetry interest.Secondly,in the atmosphere of learning from Du Fu in poetry circle,Su Shi analyzes the diction and artistic conception of Du Fu’s poems and often imitates and uses Du Fu’s poems.Thirdly,Su Shi develops the trend of “literature as poetry”,and the trend of “writing as poetry” and “discussion as poetry” becomes increasingly popular.Fourthly,Su Shi could be able to refurbish and create the past historical facts of allusions in allusions,making the old story glow with new vitality.The above poetic thoughts belong to Su Shi’s excellent creation in the theory of poetry creation.At the same time,under Su Shi’s efforts,the distinctive characteristics of Song poetry are gradually highlighted.His poetic thoughts provide a variety of writing paradigms for Chinese classical poetry,which is the valuable wealth of classical poetic thought.