Research On The Creation Practice Of Landscape Painting With The Theme Of Folk Houses In Northern Sichuan

The land of China is vast and rich in resources,and the culture of folk houses in various regions is rich and diverse,and freely developed.With the development of social economy,contemporary Chinese landscape painting is also constantly introducing the old to bring forth the new.In terms of the choice of creative themes,it is more inclusive and has more possibilities.The theme of traditional folk houses in China is a precious cultural heritage.It has become a relatively popular theme of landscape painting with its unique artistic impact,the jaggedness of the terrain,and the special composition form of stacking layers.Therefore,a large number of landscape painting works with the theme of folk houses as the main body of expression have emerged.The terrain of northern Sichuan is complex and changeable,and it has profound cultural heritage.Nowadays,it still retains some folk houses with rich cultural flavor,ancient simplicity and elegance,and unique characteristics of northern Sichuan.At the same time,it has also attracted many landscape painting creators to come to the northern Sichuan region to explore the folk houses in northern Sichuan and to sketch and create.The whole paper is discussed in four parts.The first part is an introduction,including the purpose and significance of the research,literature review and research methods.The second part explains the interpretation of folk houses in northern Sichuan and the analysis of landscape paintings on the subject matter of folk houses in Sichuan,and explains the creative reasons for the subject matter of folk houses in northern Sichuan.The third part is about the creation practice of landscape painting on the theme of the folk customs in northern Sichuan,which is also the core content of this paper.Following the principle of parallel theory and practice,I elaborate the process of creating landscape paintings on the theme of the folk customs in northern Sichuan from four aspects: investigation and collection of materials,sketching of the folk customs in northern Sichuan,initial creation attempts,and handling of picture relations.The fourth part is about the confusion and thinking encountered during the creative process.Any research and practice are not achieved overnight,and it will be accompanied by a lot of confusion and reflection,so that theoretical knowledge can be precipitated and skills can be improved in practice.