A Study On The Power Writing In Bi Feiyu's Novel

Among contemporary Chinese writers,the power writing of Bi Feiyu’s novels is representative.The perspective of "power" has always been a window for Bi Feiyu to observe social life and gain insight into individual life experience.The power writing in Bi Feiyu’s novels not only presents the long-term restraint of power relations on rural China,but also reveals the process of change in the power structure in the process of modernization.In addition,power writing is also of great significance to Bi Feiyu himself,as a "late-born" writer,power writing is Bi Feiyu’s effective attempt to cross the narrative conventions of previous writers and get rid of the shackles of the "late generation" label.Therefore,the study of power writing in Bi Feiyu’s novels helps to sort out Bi Feiyu’s entire creative process and re-examine the unique value of his literary creation.In addition to the introduction and conclusion,the paper is divided into three chapters.The first chapter deals with the world of power in Bi Feiyu’s novels.It is divided into three main parts: the countryside under the imprisonment of power,the municipality in the transition of power,and the individual in the power relations.First of all,Bi Feiyu constructs the entire world of power from the different spaces of villages and towns,and the political and cultural order of the countryside under the imprisonment of power,as well as the ecological picture of cities and towns in the transition of power,constitute different aspects of the power world in his writing.Secondly,as a writer with humanistic care,Bi Feiyu’s novels always focus on the survival experience of individuals in power relations,focusing on the discipline of power on the human body and the alienation of human nature caused by power.The second chapter is based on the world of power in Bi Feiyu’s novels and discusses the strategy of power writing in Bi Feiyu’s novels.The interventional narrative technique,the closed space-time structure,and the ideology at the end are the unique artistic characteristics of Bi Feiyu’s novel power writing that distinguish it from other writers.When Bi Feiyu constructs the text,he adopts an interventional narrative technique as a whole to highlight the main position of the writer,and also uses the "island" image to make the novel present a closed space-time structure as a whole.In addition,Bi Feiyu also pays attention to the management of the art at the end of the novel,and names the creative concept of power everywhere through the fatalistic principle at the end.The third chapter traces the motivation for the power writing of Bi Feiyu’s novels.First of all,the projection of the writer’s childhood experience in literary creation,and the childhood experience in the special period constitutes the spiritual origin of Bi Feiyu’s power writing,which is the most original motivation for his power writing;Bi Feiyu created in the context of literary trends such as pioneer and root-seeking,and power writing is an effective attempt to get rid of the literary heritage of pioneer and root-seeking;Finally,the writer’s desire to intervene in reality,Bi Feiyu explores the complex relationship between power,history and culture through the writing of the mirror image of power in China,and thus reveals the impact of power culture on life and human nature.