A Comparative Study Of Su Tong And Bi Feiyu

With the ever-changing changes of the times,literature as a product of the era spirit has followed the footsteps of the era and issued a shout of literature.In the 1980 s,reform and opening up not only brought about major changes to China’s economy,but also provided an opportunity for the development of literature.As a result,pioneering literature came into being.Su Tong,as a leader in avant-garde literature,has played its own role in the exploration of avant-garde literature.At the same time,Bi Feiyu,who is also a group of writers in the 1960 s,although his works were later written by contemporary writers,he also started from pioneering literature and constantly explored his own creative path in the techniques of historical deconstruction and reconstruction..Thus Su Tong and Bi Feiyu entered our vision.Although there are no two identical leaves in the world,the two authors’ novel creations have many similarities and distinct personal styles.In the early stage of their creation,the two writers both fell into the "history" of the creation’s concern and created a series of novels that tell history parables,revealing the ups and downs of human fate.At the same time,they are dedicated to a spiritual homeland in the narrative space,and are happy to tell the parents on this land that they are short,telling the people’s tedious life on this land.What is interesting is that the attention of two male writers to the destiny of women is extremely nuanced.In the tragedy of a feminine fate,the coldness of the times and the greed of humanity are displayed.While the writer profoundly reveals people’s plight of survival,it also entrusts the writer’s humanism concern.This article attempts to start from the two novels of the writers,follow their creative trajectory,compare them from depth to depth,and find the consistency and difference between the two writers’ creative thoughts and connotations in the transformation and creation of the two writers.Trying to find the generation and continuation of a generation of writers in comparison.This article is divided into six chapters.The introduction part begins with the evolution of Su Tong and Bi Feiyu’s literary creation.It mainly discusses the vanguard works of the early creations of the two,and the changes in writing and the persistence of the creation after the vanguard transformation.Then the research status of this topic is introduced.Through the collection and analysis of literature data,the research direction of this paper is determined.Finally,indicate the research method and significance of this topic.The first chapter is based on the starting point of the two authors’ creation and explores the causes of their creation.Mainly from the childhood experiences of the two writers and their impact on the literary geography and childhood memory from the two perspectives to explore the impact of regional and childhood memories on the writer’s literary creation,and then from the identity of the intergenerational writers to explore the two different styles of realism..The second chapter takes “narrative time” as the entry point to explore the historical narratives of the two writers,and analyzes the historical feelings revealed by the two writers in the deconstruction and reconstruction of history from the aspects of self-construction of the novel and narrative of the Republic of China.The similarities and differences between the "historical romances" they exhibited.The third chapter is based on the “narrative space”.Through the analysis of the narrative space constructed by the two writers,the two writers’ writings insist on narrating the people and things in this geographical space in the south,and through the various people who live in it.The comparison reveals the survival anxiety of text characters and the lack of human subjectivity.The fourth chapter starts from the female images portrayed by the two writers,and further highlights the cycle of feminine tragic destiny through the meticulous portrayal of the writer’s psychology.The fifth chapter mainly compares the narration techniques of the two authors’ text creation,mainly from two aspects: the traditional culture’s digging of writers and the digging of modern civilization.From the narrative structure,narrative techniques and language of the two novels,the similarities and differences between the two are discussed.Chapter Six reverts to the spiritual connotation of the writer’s creation,and excavates the contribution of the two writers to the contemporary development of Chinese literature.Mainly from their analysis of the expansion of Jiangnan University and the reality of the two parts of the analysis.As part of the conclusion of this paper,the conclusion part mainly discusses the possibility of comparative development of two writers,further demonstrates the value significance of comparing the two writers,and through a comparison of the two writers,considers that pioneer literature is The development and continuation of contemporary literature.To sum up,a systematic and comprehensive analysis of the two writers and research and analysis from a deep dimension not only enriched the diversity of Jiangnan Studies,but also supplemented the study of intergenerational writers.Su Tong and Bi Feiyu spent almost 30 years writing careers and practiced text experiments.They continued to break through their own creative paradigms.Their constant is to perceive reality and reveal the good and evil of human nature,and make them become indispensable in the literary world.