A Study On Image Narration And Cultural Representation Of Intangible Cultural Heritage Of Handicraft

Under the influence of the mass media,people are accustomed to recording the present through visual images and transmitting emotional appeals and values,which has become a trend at present.Documentary film has strong humanistic care and objective and real documentary characteristics,which has become an effective way to spread and develop handicrafts at present.The practice of documentaries of intangible cultural heritage of handicrafts is the image writing of intangible cultural heritage.The image expression can not only strengthen the transmission of intangible cultural heritage,but also give emphasis and affirmation to the cultural value of intangible cultural heritage.Intangible cultural heritage,as a continuation of tradition in the contemporary era,is expressed in the form of documentary images,which breaks through the limitations of time and space.On the basis of introducing intangible cultural heritage and inheriting intangible cultural heritage,images again endow intangible cultural heritage with strong dynamic characteristics.As Chinese documentaries begin to turn to industrial development,intangible cultural heritage documentaries,which carry forward excellent traditional culture and inherit intangible cultural heritage,also usher in new development opportunities,among which "handicraft intangible cultural heritage documentary" has become one of the important directions of intangible cultural heritage documentary creation.With the joint practice of professional film and television production units,streaming media platforms and film and television practitioners,the film and television industry has produced a large number of popular handmade intangible cultural heritage documentaries.On this basis,rich themes and diverse creative forms can stimulate the creation of intangible cultural heritage documentaries of handicrafts to the greatest extent and usher in a benign development environment.The image presentation of the intangible cultural heritage documentary of handicrafts is diverse,and the overall keynote atmosphere of the documentary is established through the construction of visual and auditory aspects of film and television art;Use the cross editing of narrative paragraphs and the exhibition of handicraft skills to construct the sense of rhythm and rhythm of the documentary;From the symbolic construction of inheriting human images and handicrafts in the intangible cultural heritage documentary of handicrafts,explore the memory of the times and emotional memory.In the retrospect of history,the spirit of craftsmanship has always been an important temperament in China’s excellent traditional culture.The craftsman spirit,as the most distinctive cultural connotation in the creation of intangible cultural heritage documentaries of handicrafts,metaphors a kind of cultural syndrome of the times in the special era background and in the modernization transformation and development;The arrival of the industrial society and the growth of the production level have forced traditional craftsmen to struggle in a narrow environment;With the recognition of complex aesthetics,more and more young people are not only involved in the creation of intangible cultural heritage documentaries of handicrafts,but also continue to inherit and carry forward the craftsman spirit through image creation.In the creative practice of the documentary work "Fingertip Pinching and Colored Painting of Gansu",on the basis of sorting out and summarizing the creation of documentaries on related subjects,the narrative techniques of documentaries on the same subjects are fully utilized and used for reference.In the process of early investigation,mid-term shooting and creation,and post-editing,I have gained new understanding and insights on the intangible cultural heritage documentary of handicrafts,with a view to providing a certain experience paradigm for the creation of documentary of the same type through the practical creation of documentary.