| Intangible cultural heritage is the product of historical and cultural development,the crystallization of human wisdom and precious wealth.With the rapid development of Internet technology,people’s pace of life continues to accelerate,resulting in the neglect of the development of intangible cultural heritage,among which the development and inheritance of traditional handicraft intangible cultural heritage has been greatly impacted.As a kind of audio-visual combination of artistic expression,documentary record traditional handicrafts in a complete and detailed way,so that the audience can feel the charm and value of traditional handicrafts,and provide more possibilities for the development and inheritance of traditional handicrafts.Therefore,traditional handicraft intangible cultural heritage documentary is one of the effective means to spread and preserve intangible cultural heritage and arouse the public’s attention to traditional handicraft intangible cultural heritage.Traditional handicraft intangible cultural heritage documentaries have unique narrative characteristics.Studying the narrative structure of traditional handicraft intangible cultural heritage documentaries is of great significance to the creation and development of current traditional handicraft intangible cultural heritage documentaries.Based on the theoretical knowledge of narratology and film and television narratology,this paper takes the narrative structure of traditional handicraft documentaries as the research object,analyzes the value,types and design of narrative structure of traditional handicraft documentaries,studies the narrative structure of this type of documentaries,and analyzes the graduation work Lu Embroidery combined with theoretical knowledge.Firstly,the thesis explains the concept definition of narrative structure of traditional handicraft intangible cultural heritage documentary,and the characteristics and value of narrative structure of traditional handicraft intangible cultural heritage documentary.The second chapter focuses on the types of narrative structure of traditional handicraft intangible cultural heritage documentaries,analyzes the linear structure,block structure,scatter structure,layer structure and circle structure of documentaries,and points out the differences in their narrative structures.The third chapter mainly studies the narrative structure design of traditional handicraft intangible cultural heritage documentary,and expounds the elements that constitute the narrative structure,the configuration between the elements,and the embodiment of the elements,so as to explain the richness and diversity of the narrative structure.Chapter four records and analyzes the filming and production process and the shortcomings presented,and puts forward reasonable suggestions based on the content theme and narrative structure,analyzes the difficulties Lu Embroidery faces in modern society,and summarizes the deep meaning behind it.At the same time,I hope that through the creation of the graduation work "Lu Embroidery",more people can understand and know Lu embroidery,enhance the attention of all walks of life to traditional handicraft intangible heritage and inheritors,and actively promote excellent traditional culture. |