Non-legacy Theme Documentary Film Image Narrative Research

Chinese fine traditional culture is the treasure of Chinese civilization and the foundation of the Chinese nation.Chinese intangible cultural heritage,as an important cultural symbol in the long and splendid Chinese civilization,is a cultural carrier with rich indicative value and typical significance in the Chinese civilization.To protect the intangible cultural heritage is to protect the inheritance of the national culture and the bond of the national emotion.Documentary is a means and a form of protecting and inheriting the intangible cultural heritage.The intangible cultural heritage are traditional and ancient.Some of them have high barriers to entry and are difficult for the general public to understand.The documentary,presented in the form of film and television,serves as a bridge for people to walk into the intangible cultural heritage and lead them to appreciate the unique charm of ancient techniques.It tells the story of the cold and warm lives behind the inheritors,it also vividly intangible cultural heritage the National Spirit.By means of video recording,the Intangible Cultural Heritage was not only better protected,but also greatly inherited and developed,by re-creating,the ancient intangible cultural heritage are rejuvenated and reborn in the modern age.This article takes the non-legacy documentary as the starting point and the attribution point,and takes some typical non-legacy documentary excellent works and personal works as the analysis case,this paper studies the image narration of non-legacy documentary.The introduction part introduces the research background,the research significance,as well as the method and the creation object of the personal work“Luo Bi Sheng Hua”.In the first chapter,by combing and analyzing the existing literature,the author defines the concept of non-legacy documentary,and arranges the current situation of development,and on this basis,further from the cultural heritage and protection,the expression of the spirit of craftsmanship,the witness of historical and cultural interpretation of its value.The second chapter focuses on the image of the non-inheritors and reveals the unique Chinese intangible cultural heritage through exploring the legendary stories and craftsmanship behind the non-inheritors.In the third chapter,there are many artistic features in the video narration,such as the fusion of narrative perspectives,the relaxation of narrative rhythm,and the interweaving of narrative structure.The fourth chapter is about the vivid and varied lens language formed by the flexible use of long lens,empty lens and close-up lens in the video narration,through the organic integration of commentary,simultaneous sound and background music,the sound effects complement each other and form a colorful narrative language style.The final conclusion is a summary of the full text and the possibility of thinking about the future.