| Herbert Bayer is one of the great pioneers of modern design.This article takes Herbert Bayer’s public art creation as the research object,deeply explores the characteristics of Herbert Bayer’s public art creation,and thinks that his public art creation is a creation based on a graphic language.The graphic language is the artistic language of the two-dimensional plane,and extending it to the three-dimensional space is a cross-border artistic language.Herbert Bayer was a student and teacher of the Bauhaus in the early days,and the teaching theory of Bauhaus on modern design had a profound impact on his public art creation;at the same time,Herbert Bayer was influenced by Japanese Metabolism during his travels in Japan.These design ideas are directly reflected in the application of graphic language in Herbert Bayer’s public art creation.With the help of the relevant concepts of graphic language,this paper analyzes the characteristics of graphic language in Herbert Bayer’s public art works,and summarizes the visual symbols and organizational structures of graphic language in Herbert Bayer’s public art creation,so as to explore the significance of graphic language in Herbert Bayer’s public art creation.The visual symbols and organizational structures of graphic language have more prominent features in Herbert Bayer’s public art creations,which integrate Bayer’s subjective consciousness and re-creation of spatial dimensions.Bayer uses graphic language to comprehensively handle public art creation,focusing on the visual effect of two-dimensional graphic language in three-dimensional space.At the same time,Herbert Bayer combines graphic language with scientific and technological theories in his public art creation,emphasizing the physical functions of meeting people’s needs,which is of great significance to the creation of public art in the contemporary natural and social environments.By discussing the significance of graphic language in Herbert Bayer’s public art creation,we will explore the important enlightenment of graphic language’s involvement in public art in the development of Chinese public art. |