| Intangible cultural heritage is a "living" culture,and vitality is its essential attribute.With its lively audio-visual system,documentaries have become the best means to realize the living inheritance of intangible cultural heritage in the contemporary daily life environment.Starting from the living attributes of intangible cultural heritage,this article discusses the rules and art of image creation practice and art of "living" culture of "intangible cultural heritage" documentaries under the framework of "life aesthetics" that returns to sensibility and daily life.The full dissertation first analyzes how the core of aesthetic construction of intangible cultural heritage,that is,how aesthetic identity is presented in intangible cultural heritage documentaries,and then discusses how "intangible cultural heritage" documentaries use film and television techniques to create life-like creations.Taking life aesthetics as the starting point,the research on the creative concept and path of life aesthetics in "intangible cultural heritage" documentaries embodies the process of "living" cultural creation practice.Finally,this article takes the graduation work "Folk Songs in the Deep of Wuling" as a case to explain my creative consciousness and speculation in the "intangible cultural heritage" documentary of folk song art.The first chapter of the article first discusses the vital characteristics of intangible cultural heritage as the essence of intangible cultural heritage..The vitality of intangible cultural heritage is its fundamental attribute,and living culture determines that the aesthetic presentation and creative concepts of intangible cultural heritage documentaries must reflect the aesthetics of life.The second chapter discusses the presentation of life aesthetics of intangible cultural heritage documentaries from the perspective of aesthetic elements,and its significance lies in the construction of aesthetic research on living inheritance.Through the three elements of aesthetic symbols,aesthetic artistic conception and aesthetic space to explain the core concept of aesthetic research on the active protection of intangible cultural heritage,that is,aesthetic identity.The third chapter starts from the highest ideal in life aesthetics,which is the theoretical framework of pursuing the perfect unity of truth,goodness and beauty,and proposes that the truth,goodness and beauty in life should be excavated when creating intangible cultural heritage documentaries,so as to make it as unified as possible in intangible cultural heritage documentaries..The life aesthetics creation path of intangible cultural heritage documentaries needs to adhere to the truth,kindness,and beauty of form.The means of realization are to build trust through narration,to convey goodness through people,and to use audio-visual language.The last chapter is the reflection on the creation of the graduation work,which mainly analyzes the video aesthetic practice of the "intangible cultural heritage" documentary,the "substitution" boundary of the main creation,and the connection and connection between the historical "living state" and the real "vitality" of "intangible cultural heritage" Dialectical Relations. |
