Intangible cultural heritage is the cultural treasure formed in the process of development of all ethnic groups,and it is the wisdom crystallization formed in the practice and creation of the vast number of working people.The 5,000 years of historical accumulation of the Chinese nation has formed countless intangible cultural heritage,which is the cultural imprint of the Chinese nation standing in the forest of nations in the world,and the symbolic memory with the Oriental traditional charm.In the process of the inheritance and development of The Times,we need to protect these cultural heritage with national symbols.The key to the protection of intangible cultural heritage is not to store it in a history museum.In a real sense,what we should do is to make it "active" in The Times.What we should pursue is its "contemporary value" and let more people in The Times know about these traditional cultural skills.So that the present people can better understand the cultural charm and spiritual temperament contained in these traditional cultural skills.At present,with the development of economy and science and technology,the update and iteration of media are changing rapidly.The traditional printing media in the past is already losing in the fight against the completely new "media power" composed of the network and image,which is the inevitable result of the development of The Times.Now that people are producing and consuming images in more life experiences,it also points out the direction for our production and communication.We need to realize our ultimate goal of "looking for intangible cultural heritage skills and promoting traditional culture" by means of image communication.The creation and dissemination of documentaries on intangible cultural heritage will inevitably become an effective way to spread intangible cultural heritage.But at the same time,we need to note that the creation and broadcast of intangible cultural heritage documentaries are not just for the purpose of allowing the audience to "catch a glimpse of it" in the viewing process.Aimless entertainment cannot achieve the best communication effect.Entertainment is an important aspect,but at the same time,we should not ignore the culture and artistic aesthetics.Therefore,we need to start from the combination of practice and theory to study and analyze the artistic aesthetic of intangible cultural heritage documentaries.Based on the connotation of "integrity" of documentaries,combined with excellent non-legacy works and personal shooting and creation experience,this thesis focuses on "artistic aesthetics" to analyze the relevant introduction and aesthetic value of documentaries on intangible cultural heritage,aesthetic experience on the subject level of documentaries on intangible cultural heritage,and aesthetic communication on the image level of documentaries on intangible cultural heritage,and finally make a research summary and outlook.In order to provide theoretical guidance for future aesthetic audiences to carry out artistic aesthetics and creators to develop practical creation. |