The Study Of Wu Weishan’s Freehand Sculpture Language And Its Influence On My Creation

Based on the study and exploration of the language of freehand sculpture during the undergraduate and postgraduate periods,this article takes the freehand sculpture of Wu Weishan’s historical celebrity portrait series as the research object,and intends to carry out research on relevant issues from the following three aspects: The first chapter mainly comprehensively sorts out freehand by consulting a large number of literature,and strives to It leads to the source of the development of freehand sculpture theory.The second chapter summarizes Wu Weishan’s freehand sculpture creation and theoretical achievements.The narrative of this chapter is based on the key points,formal expression and content expression of Wu Weishan’s sculpture.Starting from the creative background of Wu Weishan’s works,with its representative works as the starting point,it gradually sorts out the law and context of Wu Weishan’s freehand sculpture language.Through research,it is found that Wu Weishan’s contemporary freehand sculpture contains the traditional aesthetic concept of heaven and man,the form of virtual reality,and the artistic conception of sculpture that gods are greater than shapes.The third chapter is to learn from and apply Wu Weishan’s freehand sculpture language and creative methods,and combines the author’s thinking and experience in his own freehand sculpture creation practice.Through the study of the study of freehand sculpture represented by Wu as the mountain,I pay high tribute to the ancient and modern predecessors who have worked hard to climb in freehand sculpture,and also convey the author’s point of view: the study of freehand sculpture is the significance and aesthetic value of today’s science and technology and art,and at the same time,Wu Wei Italian sculpture works inspire the author’s graduation creation "Li Bai" series concept and technical path.