A Study On The Image Of "female Disembeddedness" In Chinese TV Dramas In The New Century

In the course of China’s social development,the 1970 s referred to in some circles as one of the biggest changes in China’s development trajectory in the last century,China’s social transformation and transformation from the "general society" with highly concentrated social resources and economic construction to the "modern society" with more diversified social life and cultural trends.In this situation,mass culture arises at the historic moment.The deepening of economic system reform provides fertile soil for the prosperity and growth of mass culture.The rapid development of mass media becomes the supply of mass culture development and takes root in the social cultural system.The artistic characteristics of TV plays make it inevitable to closely look at the development of Chinese society,map the current situation of social life and the psychological needs of the people.The characteristics of audience groups make it focus on the female perspective,care for the female life,reflect the female consciousness of the female narrative works,since the 1990 s to create a series of distinct characters,mixed praises and demerits of the "female detachment" image.In this paper,by combing the typical female image texts about "unembedding" in domestic TV dramas since the new century,From the "working girl","city worker" and "entrepreneurial worker" in rural dramas,to the "mother-in-law and daughter-in-law problem" and "obedient girl rebellion" in family ethics dramas,to the "strong woman" and "workplace newcomer" in urban dramas,in the historical macro context of social transformation,the "female ex-ector" broke the individual loss after over-imagining the achievements of ex-ector in the late 20 th century.To individual anxiety in the face of intense social differentiation after de-embedding,to individual choice after re-embedding by virtue of economic rationality after putting aside emotional barriers.The mirror relationship between female texts and social transformation is presented.In the context of TV dramas,the unique and complex phenomenon of "female detachment" has a broader connotation.Through the narrative strategy,it puts on the "female" image as the narrative subject,which can translate social ideology and construct the function of "social myth".The collision of image and reality enables the audience to be embedded in the TV drama world to accept the erosion of ideology on the one hand,and then embedded in real life to perceive the temperature of life on the other hand.Therefore,in the flood of social development and transformation,Chinese political culture and ideology constantly accept the cognitive shaping of new ideas and new ideas,and complete the interaction between female symbols and the construction of individual consciousness.