Practice And Innovation Of Grainy Techniques In Boneless Bird Paintings

Boneless flower and bird painting,as a traditional painting method of Chinese painting,has matured to today in the application of techniques.Starting from Zhang Sengyao in the Southern and Northern Dynasties,to Xu Xi and Huang Sheng in the Song Dynasty,boneless flower and bird paintings have gradually matured;in the Ming and Qing Dynasties,due to the introduction of Western painting,some boneless painters at the time influenced,Represented by painters such as Sun Long,Yun Shouping,"Erju",and Ren Bonian.They integrated western painting techniques on the basis of previous boneless techniques,and made new innovations and developments.In addition to innovating in techniques,they also innovated in consciousness,composition,and color.With the continuous development of the times,boneless flower and bird paintings are constantly innovating.It is no longer a single painting method.,But the development of different modern and contemporary painting techniques.As the saying goes,"art is derived from life" boneless flower and bird paintings are no exception.In addition to being creative in the choice of texture techniques,they also need to be innovative in subject matter and materials in order to carry out continuous experiments and innovations,and then to change The texture techniques of bone-and-flower paintings are better inherited and developed.Based on the author's practical exploration,the texture techniques of boneless flower and bird paintings are analyzed,and some representative works are combined with examples.The texture techniques of boneless flower and bird paintings are incorporated into the creation to express the paintings of boneless flower and bird paintings.Affection.The first part of the article is an introduction;the second part is an overview of boneless flower and bird painting.In this part,the definition,origin,development and classification of boneless flower and bird painting are summarized,and some questions are put forward in conjunction with the development ofcontemporary boneless flower and bird painting;The third part mainly introduces the presentation of texture techniques in some boneless flower and bird paintings in the picture;the fourth part describes the performance of the texture techniques in the same theme,the collision of texture techniques between different painting species,and the application of comprehensive materials.Explore and practice the texture techniques in boneless flower and bird paintings;the fifth part mainly combines his own creative practice to express the rich and diverse selection of themes,and the inclusive and decorative performance of texture techniques.