Yun Shouping’s Boneless Flowers And Birds Influence Contemporary Flower And Bird Painting

The origin of boneless bird and flower painting can be seen in the decorative motifs painted on Neolithic pottery 7,000 years ago,and the initial characteristics of boneless bird and flower painting can be seen.Traditional Chinese bird and flower painting is divided into two basic expressions: brushwork and painting with the intention of writing,which is produced by hand.At the very beginning of the formation of boneless,it had the attributes of both work and writing,and this characteristic was gradually reflected in the development of boneless painting in later generations.Zhang Singhalese a multiplication of the temple of the bias of painting concave and convex flowers,the Indian halo method into Chinese painting,color jumped to an important position."Without the use of strokes,stop with Dan powder dabbing and dyeing,the number of boneless figure,to its name without the bones of the brush and ink,began with Chongzi also." From the discussion of "Tu Yi Bao Jian",the definition of "boneless flowers" is: created by Xu Chongji,no ink and brush strokes,directly with color,known as "boneless flowers".From the Five Dynasties to the early Northern Song Dynasty,the boneless method of painting flowers and birds officially became an established method.During the Yuan Dynasty,literati painting became popular,and flower and bird painting developed in the direction of writing,emphasizing the intentional brushwork,and boneless birds and flowers were once left in the cold.It was not until the early Qing Dynasty that Yun Shouping created the "Changzhou School of Painting",which brought boneless birds and flowers to another level.Boneless is both a control of the shape,not yet to the state of fully wielding the intentional brush.The boneless method has always maintained a unique aesthetic.Under the violent impact of western culture,modern boneless method and oriental painting together face the problem of "borrowing from the past" and "blending with the west",how to inherit and innovate the boneless method,one of the veins of traditional Chinese painting,and inject new vitality into boneless flower and bird painting,has become the focus of academic The focus of academic attention is on how to inherit and innovate one of the traditional Chinese painting veins,the boneless method,and inject new vitality into boneless bird and flower painting.The modern Lingnan school of painting,Jurian Jiu Chao’s "water and powder method" is considered to be the beginning of modern boneless painting.Ren Bonian,of the "Sea School",introduced watercolor colors into boneless painting.Since the beginning of the new century,contemporary boneless bird and flower painters have continued to explore the materials and techniques of painting.The Yun Nantian Art Biennial,which is held every three years,has been successfully held for four consecutive years,presenting a new style of contemporary boneless flower and bird painting by young artists influenced by Yun Shouping’s boneless flower and bird painting for the public and art lovers who love Yun Shouping’s boneless flower and bird painting.Yun Shouping’s boneless birds and flowers have become an excellent national cultural tradition that deserves to be passed on and carried forward by future generations.