The Study On The Poetry And Lyrics Of Flowers And Plants In Jin Dynasty

Jin is a dynasty found by minority with speciality,which invaded the Central Plains.Competed with other dynasties,the number of flower poems and lyrics created in Jin Dynasty is less,but its value should not be ignored.With the germination,growth,prosperity and decline of the regime of the Jin Dynasty,although the flower poems of the Jin Dynasty soared with the birth of the regime,they did not wither with its decline,but continued to reach the peak and promoted the development of flower poems of the Yuan Dynasty.The flower poems of the Jin Dynasty experienced the period of borrowing talents from different generations,the prosperous period of Dading and Mingchang,the period of relocation the capital to south in Zhenyou and the decline of political power.The flower poems and lyrics have the characters of popularity and narrating.That is,as a part of the literati’s life experience,flowers enter the literary creation,regenerate the artistic image of human culture and symbolization after being processed by artistry,and then become the narrator of the literati’s mind process.Throughout the creation of flower poems in the Jin Dynasty,the text reflects the inner world of each generation of literary writers in different periods,and flowers are the medium of dialogue between writers and the world.The flower poems of the Jin Dynasty have narrative,and have a certain realism in both form and content.In form,the title or preface of flower poems has a regular narrative.In the content,flower poems are mainly realistic.The process and details of communicating with flowers and plants on various occasions such as daily or banquet can also be used as the content of flower poems.The popularity of flower poems in the Jin Dynasty is reflected in the language style,literary function and the expansion of content scope.Among the flower chanting poems created by the Quanzhen literati group in the Jin Dynasty,the popularization feature is the most obvious,which is related to the needs of religious development.Firstly,this paper introduces the natural and geographical factors of flower poems,the influencing factors of agricultural civilization,the early philosophy of "everything has spirit" and religious worship,and discusses the development process of flower poems in the pre Jin and the period of "borrowing talents from different generations" in the early Jin Dynasty.In the early Jin Dynasty,there were not many poems about flowers,and the works were mainly about plum and chrysanthemum.Its creative groups are the initial group of officials and scholars in the Jin Dynasty and the rulers and noble literati of the Jin Dynasty after learning the culture of the Central Plains.The literati who were officials in the Jin Dynasty had excellent creative skills in chanting flower poems.At the same time,they had unspeakable thoughts of homeland and seclusion.Flowers and plants have become the spokesmen of these scholars and the trigger of their "nostalgia".The literati group of the national Dynasty entered the literary world in Dading and Mingchang periods.The prosperity and tranquility of the Jin Dynasty brought the literati an idyllic cultural life and gave birth to a large number of flower chanting poems.As a common image,flowers are integrated into various types of poetry.In addition to the more unadulterated chanting poetry in concept,the chanting of flowers also exists in the poetry creation of travel,painting and talking about Buddhist truth.From the overall emotional tone,the flower poems in Dading and Mingchang periods have various styles,including lucid and elegant works,clear and open-minded style,and poems full of Buddhism and Taoism.The thought of homeland,which once appeared in the poems on flowers,has disappeared with the exit of the old minister.The spirit of seclusion with the main purpose of escaping from reality has gradually changed to a more positive direction and changed into the admiration for Tao Yuanming’s noble personality behind the chrysanthemum symbol.Except the poetry of chanting things by Dang huaiying and Cai Yu on the real flowers and plants,Wang Ji’s poetry of chanting flowers and plants and Liu Zhongyin’s poetry of chanting flowers and plants with paintings have high artistic achievements.After the second year of Zhenyou’s southward journey,people of insight in the Jin Dynasty began to rectify the court atmosphere with their literary style.There are two schools in the literary world.One is the school of learning from the ancients headed by Zhao Bingwen,who pursues the beauty of neutralization,while the other is the school of learning from the intrapersonality by Lei Yuan,who pursues the beauty of queer and odd.The chanting of flowers by literati who fled to the South is full of shouting when the country is in danger,and also full of the pursuit of their own noble and faithful character.The Jin Dynasty was destroyed,but the poem about flowers didn’t decline because of the collapse of the political power.Instead,it had completed the final leap.During this period,the image of apricot blossom became mature in Yuan Haowen’s hands and was endowed with life consciousness by the poet.Different from the flower image of expressing aspirations and feelings,apricot flower has become an image of spiritual communication with Yuan Haowen on an equal footing.In terms of form innovation,the application of the chapter-after-chapter style plays a role in depicting flowers and plants from multiple angles.Li Junmin’s couplet poems in "Paying Homage to the Golden Gate" start with the shape and posture of plum blossom and the communication between plum blossom and people,and shape the image of plum blossom in detail.In addition,the flower poems of Duan Keji and Duan Chengji brothers have a strong feeling of nostalgia for their motherland.They adopt a seclusion attitude to face the situation of national destruction.The paper takes the flower poetry of the Jin Dynasty as the research object,and makes an in-depth interpretation and cultural interpretation of it in combination with the special historical background of the Jin Dynasty.In this paper,the following points are achieved in the study of flower poems in the Jin Dynasty:Firstly,this study collects,counts and arranges the flower poems in the Jin Dynasty,and combs out the development process of flower poems in the Jin Dynasty.Secondly,the study divides the literati in the Jin Dynasty according to their identity characteristics,and interprets the changes of literati’s mood behind the poetry text in combination with the commonness of the group and the characteristics of the individual.Thirdly,the study evaluates the characteristics of flower chanting poetry in Jin Dynasty,explores its position in literary history,and analyzes its influence on the development of the same type of literary genre in later generations.