Research On Mouth Utensils Of Hongshan Culture

As an important archaeological culture in western Liaoning,the Hongshan culture is inevitably influenced by external factors during its development.Based on clarifying the classification of Xiaokou pottery,this article analyzes the development process of this culture and its relationship with the Neolithic archaeological culture in the Yellow River Basin from the perspective of Xiaokou pottery.This article consists of three parts: introduction,main text,and conclusion.The introduction section is mainly a summary of academic history,introducing the current research achievements on Hongshan Culture and its small mouth pottery in China,including the naming,distribution characteristics,stages,ages,origin issues,cultural lineages,and research on small mouth pottery of Hongshan Culture.It explains the reasons,significance,and research methods for choosing Hongshan Culture’s small mouth pottery as the topic of this paper.The main text is divided into three parts.The first part introduces the discovery of Xiaokou pottery from the Hongshan culture,summarizes the remaining characteristics of Xiaokou pottery from the Hongshan culture,and separates the remains that do not belong to Xiaokou pottery from previous studies,giving a clear connotation to Xiaokou pottery from the Hongshan culture;The second part is the typological classification of Hongshan Culture Xiaokou pottery.This article divides Hongshan Culture Xiaokou pottery into five types,reveals the changes in the types and forms of each type of Xiaokou pottery,and reveals its evolution laws;The third part is about the relationship between the Xiaokou pottery of the Hongshan Culture and the surrounding archaeological culture.By exploring the origins of various types of Xiaokou pottery,it is found that the Xiaokou pottery,which was previously believed to have a consistent development and evolution,is actually a product of the collision between various stages of the Hongshan Culture and archaeological cultural factors such as the Hougang First Period Culture,Banpo Culture,and Baini Yaozi Culture.From a subtle perspective of small mouth pottery,it not only provides new evidence for the possible inclusion of different ethnic perspectives in Hongshan culture,but also provides basic materials for understanding the interaction between various stages of Hongshan culture and surrounding cultures.The conclusion summarizes and sorts out the entire text,pointing out the development process of Hongshan culture and its relationship with surrounding cultures from the perspective of Xiaokou pottery.And propose the shortcomings of this study.