| In recent years,China ’s new mainstream films have shown a vigorous development trend in creation and become an important carrier for spreading mainstream culture and mainstream values.The new mainstream film has a broad vision in the expression of value.It not only pays attention to the transformation and development of society,but also shows the characters from multiple angles and levels to make them three-dimensional.As an art with time and space as the medium,the film in the past studies often only focused on the narrative of time,while ignoring the important role of spatial narrative.The new mainstream film pays more attention to the grasp of the spatial narrative function in the film narrative strategy.It is unique and innovative in the selection,processing and processing of space.It can combine Chinese culture with modern aesthetics with its unique perspective and rich content.While adapting to contemporary social culture,it can also express the essence of Chinese culture and spread mainstream values.This article takes the new mainstream film as the research object,and analyzes the spatial presentation of the new mainstream film from multiple perspectives and different levels and how the film uses space for narrative.The introduction part combs the existing development and research status of the new mainstream film as a whole.The first part mainly discusses the spatial presentation of the new mainstream film,starting from the geographical representation space of the important breakthrough,the spiritual space of the emotional sustenance and the social space in line with the flavor of the times,and explores the reasons why the new mainstream film has attracted much attention.The second part mainly expounds the spatial narrative function of the new mainstream film,and discusses how the new mainstream film constructs the story by selecting,processing and processing the space from three aspects : providing motivation,shaping characters and symbolic metaphor.The third part describes how the space of the new mainstream film is constructed from the perspective of audio-visual language;the fourth part discusses the cultural reflection in the spatial narrative of the new mainstream film,from the inheritance of traditional culture to the tendency of ’mass culture’. |