The Study Of Literary Trends In The 1980s Of Dang Dai

As an important carrier for the publication and dissemination of literary works,contemporary literary journals are a key component of literary production,which is of great significance in the development history of contemporary literature.Among many literary journals,Dang Dai occupies a place with its distinctive characteristics and wide influence.Since its inception,Dang Dai has held high the banner of realism,actively participated in important literary trends,and recorded the occurrence and development of contemporary literature.This thesis takes Dang Dai as the research object.By combing and analyzing its works published in the 1980s,this thesis explores the interaction between Dang Dai and the literary trend of the 1980s.The first chapter elaborates the background and purpose of the founding of Dang Dai in combination with historical materials,and discusses the realistic cultural character of Dang Dai from the mirror of the times and the history of its founding.Dang Dai is a literary publication sponsored by the People’s Literature Publishing House.Since its inception,it has established the basic pattern of "complete literary types".Through the investigation of the works of the founding issue,we will explore the generation of the realistic position of Dang Dai and the literary practice of realism.The second chapter specifically analyzes the presentation of Dang Dai to the literary trend of thought in the 1980s.In the participation and intervention of various literary trends,the magazine shows a clear aesthetic pursuit of realism.Objectively speaking,Dang Dai pays special attention to "scar reflection literature" and "reform literature".The promotion of these two literary trends is of great significance to the expansion and enrichment of literature in the 1980s.In the trend of "root-seeking literature","modern literature" and "pioneer literature",Dang Dai is based on its own aesthetic interests,constantly enriching the connotation of realism and broadening the boundaries of realism in the process of literary practice,showing new breakthroughs in realistic literature.The third chapter examines the generation of Dang Dai and realistic literary trends from the perspective of literary production,and explores the role and value of the production process in the generation of ideological trends.Dang Dai adds readers’ opinions and editors’opinions to literary production.The setting of this column enhances the effective interaction between the publication and readers,and enhances the role of readers in the criticism of works,connecting authors and literary communication.At the same time,participates in the literary trend through symposiums,literary awards,etc,and actively constructs contemporary realism with contemporary literature.Chapter 4 summarizes the significance of Dang Dai to the literary trend of the 1980s.Dang Dai not only updates literary concepts,but also explores new writers,nurtures new writing thinking,and constantly explores broad realism.The adherence to realism makes Dang Dai still stand the test under the complicated literary trends,bringing new possibilities to Chinese contemporary realism literature.