Literary Journals And The 1980s (1977-1989) Reportage

The rapid rise and prosperity for about ten years of Chinese reportage in 1980 s is an important literary phenomenon and a social phenomenon in 1980 s,which is related to the loose,harmonious,filling and changed social environment of reform and open,also can’t do without the support and promotion of literary journals.Reportage in 1980 s is divided by two completely different stages by 1985,which has a clear presentation in literary journals.Reportage has a preference for major themes,so the soliciting contributions is important in the literary production.Reviewing the original journals,we can restore the actual development situation in the 1980 s.Searching the development trend in various stages of reportage,efforts and concerns of reportage writers,participation,guidance and adjustment of editors,support and advice of the critics behind the boom,and the focus in different periods of academic are useful,from the aspects of the reportage production mechanism,in order to have a more solid and profound interpretation on the rise,development and evolution of reportage in 1980 s.The thesis consists of introduction,text and conclusion.The text consists of three chapters:The first chapter summarizes the development of reportage in 1980s;the editor as the operator of the journal,play a role in reportage production;the importance of soliciting contributions in the whole production reportage.The second chapter discusses the rise and development of Reportage in 1977-1984.This chapter introduces the role of the major literary journals in the development of reportage in 1980 s and their own reportage literature style;the first national outstanding reportage award had played a role in promoting the development of reportage and subsequent selection criteria;facing the main problems in this stage the academia how to answer and solve.The third chapter discusses the new changes of the reportage in 1985-1989.This chapter introduces the appearance and main characteristics of the panoramic mode,problem reportage;and then illustrates the reason why academia launched “Chinese tide” reportage award and its positive role in promoting the development of reportage in this stage;finally,discusses the theory construction of theory in the late 1980 s.The conclusion part discusses the dependence of reportage on politics,the symbiotic relationship with the periodical media,and the limitation of this literary style itself.