Ancient And Modern: "New Elephants In Mountain Villages" Series Of Landscape Paintings

Chinese landscape painting has given birth to a unique national civilization temperament in the long river of Chinese culture,and its pen and ink seal method is self-contained,and its charm and connotation are unique.The landscape paintings written by famous artists of previous generations are "a thousand years of loneliness,and the picture can be learned",as well as "Chenghuai Guandao" and "Qiu Yuan Yangsu",carrying the imprint of the times and recording the painter’s heart words.The "mountain villages" in ancient paintings are either high and quiet,or poetic,distant,or simple and clean...In the writings of different eras and painters,there are different meanings and directions,and today’s mountain villages,in both scale and form,are very different from the past.Visit mountain villages in Ningxia Hui Autonomous Region and Shandong,travel to observe and understand the new image,absorb nutrients from painting theory,and dig materials in the real world,so as to form a series of creations and accumulate ideological insights.The article is divided into three chapters,the first of which clarifies the origins and conceptions of creation,and analyzes the "new" image of the mountain village.Chapter 2discusses the process of chapter layout,pen and ink processing,and artistic conception creation from three aspects.Chapter 3 extracts and sorts out the difficulties and solutions encountered in creation,and summarizes the creative insights.Through the study of ancient Chinese painting theory,in the field investigation and sketching,the collision method of traditional brush and ink and modern scenery,depicting the new era of mountain villages from multiple perspectives,forming a series of works.In this process,the author realized that the brush and ink of traditional Chinese landscape painting have a unique inner beauty and strong inclusiveness,which is constantly precipitated and sublimated in the traces of historical development,which is also the internal reason why Chinese landscape painting continues to shine for thousands of years.