Chinese landscape painting and Western landscape painting are two different painting systems in the field of art.In the long process of development,gradually formed a unique artistic style and a complete and sound theoretical system.The essence of Chinese traditional landscape painting plays an important role in the exploration and creation of oil painting landscape.By analyzing and studying the mutual influence and integration between Western oil painting and traditional Chinese landscape painting,and combining with the experience and perception accumulated in the process of oil painting creation during my study,this paper has made some exploration and research in the selection,composition,color,modeling,expression techniques and other aspects of the series of scenic oil paintings in the small view of mountain stream,linking the inner feelings with the natural scenery and building Set up a new aesthetic language,so as to find a breakthrough of their own artistic creation and expression style,and convey my ideas and emotions in the best artistic expression form.This paper mainly from four aspects to elaborate:the first chapter of the introduction is a brief overview of the creation background,content,purpose and significance of the series of oil paintings "mountain stream small view",which combines their own perception of life and art understanding with oil painting language to create and research.The second chapter is the understanding and reference of the landscape plot in traditional Chinese painting.Through the study of the charm of traditional Chinese landscape painting and the display of the artistic conception of Chinese landscape painting,the artistic style integrating the essence of Chinese and Western painting art is formed.The third chapter describes the process of creation and practice.In practice,the conception,material selection,composition,shaping,color application and technical expression of the work are displayed through the series of oil paintings of "small view of mountain stream" to convey the artistic conception and charm of the work.In the fourth chapter,the conclusion summarizes the research results in this paper.With this experience,we can draw lessons from western paintings and integrate the essence of Chinese and Western cultures to form their own painting language. |