Rebuilding Reality Or Escaping Into The Fire

Guy Debord has always been known as a left-wing thinker,avant-garde theorist and the author of Spectacle Society.Debord’s Spectacle society theory foresees today’s era of abundant material life and highly developed digital and media,and is still of great research and application value.The key to Debord is that he not only presupposes the Spectacle society,but also puts forward a complete set of schemes against the Spectacle society,that is,drift,deviance and construction.Through these three weapons,Debord attacks the Spectacle era based on daily life.This paper mainly focuses on the anti-Spectacle theory system of Debord,and explains the anti-Spectacle characteristics of drift,deviant and Spectacle theory respectively.The main body of this paper is divided into five parts.The first part explains and explains Debord’s life,experience and theory on the whole,tries to comb out the historical basis and internal reasons for the construction of Debord’s Spectacle theory,and explores the important role of Spectacle Society and Spectacle Social Commentary in Debord’s anti-Spectacle theory system.The second part elaborates and explains the drifting concept of Debo’s resistance to Spectacle society.First of all,the concept of drift is a revolutionary practice of daily life carried out by German-Polish psychogeography and game spirit.Secondly,it is a kind of life practice in the presence of time-space relation.In addition,drift is also very similar to the wanderers described by Benjamin.Through comparative analysis of the two,we can explore the practical and rebellious significance of the concept of drift in the anti-Spectacle system of German Wave.The third part analyzes the concept of the anomalous orbit.In content,deviance is a kind of artistic resistance from practice to text,and it is aesthetic and poetic in concept.In form,Deviant advocates the separation and collage of things in daily life into art works,and constructs authentic works by cutting apart the social pseudo situation of Spectacle.Later,through the analysis of the art carrier of Debord’s deviant action-film,the establishment of his film creation "anti-film","anti-Spectacle" pioneer characteristics.In the fourth part,the author studies the important concept of Debord’s resistance Spectacle construction theory.Firstly,the construction theory is a theoretical system constructed by Debord through his own practice by combining Brecht’s defamiliarization drama theory in form,absorbing Sartre’s humanism and freedom concept in content.Secondly,it studies and explains the resistance of Spectacle theory from three aspects: aesthetic,poetic and revolutionary.Finally,by comparing the theoretical differences between de Boeuf’s conception and Benjamin’s conception of spirit,this paper establishes the character of de Boeuf’s resistance to the negation of negation and its uncompromising nature of binary opposition.The fifth part studies the development and significance of Debord’s theory from his later years to the present.The first is Debord’s resistance to the Spectacle after the end of the storm in May.Taking Debord’s later films as an example,this paper establishes the separation and interruption of the concept of time in his later films,and then makes a comparative analysis with the concept of the new angel in Benjamin’s historical philosophy,so as to explore the timeliness of Debord’s film creation.Then,he explores the internal and external factors and deficiencies of his anti-Spectacle theory.Finally,in view of the current information society with the rapid development of digital media,the author looks forward to the creation and development of the three concepts of Debord anti-Spectacle.