War Writing In The Anti-Japanese War Mourning Poetry

The full-scale outbreak of the Anti-Japanese War changed the direction of development of Chinese poetry,making the historical relationship between Chinese poetry and the country and the nation closer,and the Anti-Japanese War mourning poetry is a manifestation of this change.Compared with traditional mourning poetry,war writing is the most prominent feature of the Anti-Japanese War mourning poetry,but compared with the outstanding phenomenon and practical significance of the AntiJapanese War mourning poetry,there are few relevant special studies.Based on the research status of the Anti-Japanese War mourning poetry,this study draws on the research methods of traditional mourning poetry,takes the text as the basis,introduces the relevant theories of linguistics,sociology,psychoanalysis and folklore,re-analyzes the concept of mourning poetry,defines the concept of the Anti-Japanese War mourning poetry,reviews the development process of traditional mourning poetry,explores and sorts out the new changes of the Anti-Japanese War mourning poetry,studies its most prominent war writing,makes a more reasonable and reliable explanation of this,and briefly explains its value and significance.The Anti-Japanese War mourning poetry refers to poetry with the theme of mourning written during the Anti-Japanese War period and closely related to the real life and historical background of the Anti-Japanese War.The Anti-Japanese War mourning poetry is characterized as a kind of mourning from the death of the individual to the "loss" of the fall and wandering of mountains and rivers.The chaos after "loss" and "loss" was caused by the war of aggression launched by Japan,so modern war is naturally regarded as a great disaster,a crime that all members of the Chinese nation must oppose and resist,and this understanding of reality is more fully displayed in the Anti-Japanese War mourning poetry.In terms of the overall form of poetry,in order to adapt to quickly reflect the complex reality of the Anti-Japanese War and achieve the purpose of serving the AntiJapanese War,the Anti-Japanese War mourning poetry is relatively free and flexible in the form organization and arrangement.In line with its warlike declaration and expression,the Anti-Japanese War mourning poetry generally adopts the lyrical method of suppression and sublimation to construct the whole poem,using more positive rhetoric in the suppressed part and more negative rhetoric in the sublimated part,while adding some warlike slogans and big words to reduce the expression of love,so as to achieve the propaganda effect of the death chapter.Different from traditional mourning poetry,the Anti-Japanese War mourning poetry shows distinct antagonistic characteristics in structure,character setting and rhetoric,which is in line with the war consciousness of "binary opposition" during the Anti-Japanese War period.In line with its anti-Japanese and anti-war stance,the sound and tension of the Anti-Japanese War mourning poetry show a fierce and broken war-like tendency: in terms of its external voices,the Anti-Japanese War mourning poetry show mostly some background war noises.As far as the way of voice of poetry is concerned,pouring out and dialogue are the main forms of expression of emotion and meaning in the AntiJapanese War mourning poetry,and it is also the main way of voice of the Anti-Japanese War mourning poetry.From the perspective of the inner sound of poetry,the rhyme of the Anti-Japanese War mourning poetry is relatively loose and free,the rhythmic characteristics and musicality of the poetry are not outstanding,and its internal sound is mainly reflected in the rapid,flowing poetry rhythm and high-pitched poetry tone.The language and imagery of the Anti-Japanese War mourning poetry also show the characteristics of warization:(1)binary and opposing war language thinking;(2)extensive use of war words and allusions to war;(3)the fierce grandeur of the language;(4)exaggerated poetic language;(5)The battlefieldization of poetic imagery.Compared with the previous mourning poems,the number of images in the Anti-Japanese War mourning poetry has been greatly reduced,and most of these non-dense images are war images that blend classical and modern,and war images are often entangled with the death caused by war,forming a war style in which emptiness and fierceness coexist with desolation and sadness.Compared with ancient Chinese mourning poetry,in the combination and presentation of imagery,the bixing style and superimposed compound finger type have basically been abandoned,the counterpoint and juxtaposition have also been sharply reduced,and the jump form has become the main image combination method,which is closely related to the overall pursuit of freedom of form and the immediacy of expression in the Anti-Japanese War mourning poetry.The "warization" turn of language in the Anti-Japanese War mourning poetry indicates a shift in the poet’s worldview,suggesting the rupture and reconstruction of the poet’s worldview after moving from the everyday state of life to the state of war.