A Research On The Nattative Characteristics Of Heroes In Chinese Films About The War To Resist US Aggression And Aid Korea

The films about the War to Resist US Aggression and Aid Korea occupy a very important position in the creation of Chinese revolutionary and historical films.With the release of films commemorating the 70 th anniversary of the War to Resist US Aggression and Aid Korea,such as Sacrifice and The Battle at Lake Changjin,the films about the War to Resist US Aggression and Aid Korea have entered a climax of creation.Heroes represent the spiritual core of a country.Shaping a hero’s image and telling a hero’s story is a concrete expression of the country’s image and ideology.It is the only way to "tell the Chinese story well,spread the Chinese voice,elucidate the Chinese spirit,and showcase the Chinese style".Promoting the spirit of heroes through literary and artistic works plays a crucial role in national stability and harmonious social development,and hero narration is an important means of promoting the spirit of heroes in literary and artistic works.The films about the War to Resist US Aggression and Aid Korea refers to a film that uses historical events and figures during the War to Resist US Aggression and Aid Korea as creative materials,and uses the art form of film to shape the heroic images of successive and indomitable heroes,as well as to promote the great spirit of the War to Resist US Aggression and Aid Korea.Heroic narration,as the core of the films about the War to Resist US Aggression and Aid Korea,conveys the great spirit in War to Resist US Aggression and Aid Korea by portraying vivid and distinct heroic images and telling touching heroic deeds,thereby constructing a high sense of identity with the nation and country.The development process of hero narratives in films about the films about the War to Resist US Aggression and Aid Korea is closely related to the changing domestic and foreign environment and the aesthetic concepts of the audience in the era.However,there is little systematic research on hero narratives in the films about the War to Resist US Aggression and Aid Korea at different historical stages in the domestic academic community.In view of this,this article takes the heroic narrative of the films about the War to Resist US Aggression and Aid Korea since the establishment of New China as the research object,focusing on representative works from different eras,and exploring the authenticity,modernity,and national characteristics of the heroic narrative of this theme.Such a systematic arrangement is of great significance for arousing the attention of the academic community to the heroic narrative of the films about the War to Resist US Aggression and Aid Korea,as well as for feedback on the film creation of relevant themes.The first chapter discusses the authenticity characteristics of hero narratives in the films about the War to Resist US Aggression and Aid Korea from three aspects: historical truth,artistic truth,and the combination of historical truth and artistic truth.By sorting out real historical events and character prototypes,as well as analyzing their emotional and spiritual authenticity,this paper explores the characteristics of historical and artistic authenticity in the hero narrative of the films about the War to Resist US Aggression and Aid Korea,and points out that shaping distinct hero images and legendary narrative is an important way for the hero narrative of the films about the War to Resist US Aggression and Aid Korea to achieve the transformation from historical authenticity to artistic authenticity.The second chapter explores the epochal characteristics of hero narratives in films about the films about the War to Resist US Aggression and Aid Korea under different historical backgrounds from three different stages of development,and analyzes the differences in their characterization,narrative patterns,and image expression.The third chapter analyzes the national characteristics of hero narratives in the films about the War to Resist US Aggression and Aid Korea from three aspects: the expression of national spirit,the presentation of national culture,and the expression of nationalization.It deeply analyzes the connotation of the great spirit in War to Resist US Aggression and Aid Korea,as well as the presentation of national sentiments and the inheritance of the traditional idea of "carrying the word through literature" in the film.It also analyzes the important role of nationalization in the creation and presentation of artistic conception in the film.This article provides a systematic analysis of the films about the War to Resist US Aggression and Aid Korea from the perspective of hero narratives,attempting to provide valuable supplements to the overall research of hero narratives in the films about the War to Resist US Aggression and Aid Korea.Through a systematic study of hero narratives in the films about the War to Resist US Aggression and Aid Korea,this paper not only analyzes the achievements of Chinese films about the War to Resist US Aggression and Aid Korea in hero narratives,but also analyzes their shortcomings.In the development of Chinese films,the films about the War to Resist US Aggression and Aid Korea,as an important carrier for the dissemination of heroic spirit,has broad development space.Inheriting the successful creative experience of the films about the War to Resist US Aggression and Aid Korea and making up for their shortcomings in creation can not only promote art creators to create more excellent films,but also have very important value in inheriting and promoting the heroic spirit about the War to Resist US Aggression and Aid Korea and constructing the image of a strong country in China.