On The Taoist Thought In The Theory Of Creation Of The Wenxin Diao Long

During the Wei,Jin and Northern and Southern Dynasties,the confluence of Confucianism,Buddhism and Taoism was an important social trend at that time.Among them,Taoist thought,that is,metaphysics,became the main social trend of this period,which became popular in philosophy,art and even social life.The philosophical thought of Taoism advocating nature and emplizing "the way of nature" has been fully reflected in Chinese art through the development and sublimation of metaphysics in the Wei and Jin Dynasties,and has also profoundly influenced the development of Chinese literature and art theory.Wenxin Diaolong,as a "work carrying the tripod" of ancient Chinese literary theory,was formed in this period.Throughout the whole article of Wenxin Diaolong,from the essence of literature to literary creation and even literary acceptance,we can see the profound influence of Taoist thought on Liu Xi,especially the creative theory part,which prominently reflects Liu Xi’s Tao Accept,absorb and identify.This article selects the creation of Wenxin Diaolong as the research object.By tracing the source of Taoist thought,it clarifies the meaning of the main categories of Taoism,systematically and comprehensively summarizes the categories of Taoism related to the creation of Wenxin Diaolong,classifies it scientifically and reasonably,and then explores the Taoist thought contained in the creation,comprehensively analyze the value and significance of Taoist thought in the creation of Liu Xi’s Literary Heart Carving Dragon.The full text is divided into five parts:The first chapter summarizes the connotation and extension of Taoist thought through the comments on Taoism in ancient books such as "On the Six Purposes","Seven Briefs","Han Shu","The Theory of Extinction of Confused","Sui Shu · Classics" and other ancient books,the connotation and extension of Taoist thought are summarized and sorted out.Mainly,and considering the philosophical and aesthetic ideas that can be compatible with literary theories in broad Taoist ideas such as Huang Lao,Taoism and metaphysics.During the Wei and Jin Dynasties,under the general trend of the confluence of the three teachings,the emperors and literati attached great importance to Taoist thought and its theoretical propositions,and Taoist thought was Because the Taoist spirit is highly compatible with the laws of literary and artistic creation,it has also become the ideological material of Liu Xi when he wrote Literary Heart Carving Dragon.Liu Yi integrated Taoist ideas with other ideas,making this work more comprehensive and in-depth.The second chapter takes the characteristics of metaphysical "Tao" as the starting point to explore the influence of Taoist thought on the logical system,structure and narrative logic of the creation of Wenxin Diaolong.With the help of the Taoist ring-shaped Taoist model and the cyclical motion characteristics,Liu Xi gave the text structure of the creation theory the same.The round structure of the unity of Taoism and words reflects Liu Xi’s aesthetic ideal of "around without danger";the spirit of "in the ring" is processed as literary arts,conception arrangement,words and sentences and other For methodological guidance.The third chapter starts from the cultivation of the main body of literary creation,comparing Liu Xi’s "art of literature" with the Taoist "law of Taoism",it can be found that the way of "cultivating qi","devoid silence" and "cultivating skills" is also the cultivation of the subject of literary creation,which is related to the spiritual state There are three aspects of preparation and creation.Through "nurishing qi",the creative subject can integrate the limited qi of the individual and the article with the infinite qi of the nature of the universe to prepare for entering a good creative mood.As one of the core meanings of "nurishing qi","devoid and quietness" helps creators to smoothly develop their thoughts and achieve the spiritual state of separation of form and spirit and the connection of mind and things.Finally,with the help of the refined "skills of Taoism",the classic work of "Taoism is only small" was created with ease.The fourth chapter sorts out Liu Xi’s understanding of the creation process of literary imagery,and traces and analyzes the influence of Taoist ideas of "separation of form and god" and "god and object travel" on Chinese literary and artistic creation.In Liu Xi’s view,"separation of form and god" is the philosophical basis and logical premise of the formation of literary imagery.Through "separation of form and god",the main body of creation can achieve the realm of "god and object travel" and create a real object with life power and aesthetic characteristics.Chapter 5 explores how Taoist thought affects Liu Xi’s understanding and aesthetic pursuit of theoretical issues such as emotion,meaning and artistic conception in literary creation from the perspective of literary aesthetic pursuit.The Taoist thought of "Fa Heaven Guizhen" deals with the relationship between emotions and literary talent for Liu Xi,emphasizing the standard scale of natural truth and natural emotions;Taoism’s cognition of"Tao and Words" helps Liu Xi realize the dilemma of "words without exhaustion";the philosophical concept of "emptiness-based" embodied in "big voice Getting out of this dilemma provides a way and lays the foundation for the " artistic conception" theory to a certain extent.