A Study On The Concept Of "emotional Nature" In "Wen Xin Diao Long"

Since the pre Qin Dynasty,the category of “Qing Xing” has been attached great importance.After the Wei-Jin period,its significance has gradually expanded from the field of philosophy and Poetics to the field of aesthetics.In the preface to Mao Shi Xu,the category of “Qing Xing”was first introduced into the monograph of poetics.In the Wei-Jin period,the concept of“Qing Xing” further leaped into the field of artistic aesthetics.Wen Xin Diao Long was intended to talk about "the intention of writing".The concept of “Qing Xing” embodied in it was of great significance to help the prevailing literary style at that time.Grasping the concept of "Qing Xing" in Wen Xin Diao Long can help to build a “Qing Xing based” Chinese philosophy and aesthetics system,and also can deepen the understanding of traditional culture in modern society.This paper selects Wen Xin Diao Long as the research object,according to the context of the book,and drawing on the four elements explores Liu Xie's concept of “Qing Xing” and logically combs the aesthetic thought of ancient “Qing Xing”,so as to deepen readers' understanding of“Qing Xing” in the dual fields of poetics and aesthetics.It is divided into six parts:The first part combs the philosophical context of the concept of “Qing Xing”.According to the four aspects of “Qing Xing”,“nature”,“Qing Xing nature” and “temperament”,this paper combs the words of various schools before Wei-Jin period,and then discusses the general view of Liu Xie's "Qing Xing nature",in order to find the philosophical and poetic basis for the later text.The second part discusses Liu Xie's view of “Qing Xing” from the world dimension.Wen Xin Diao Long presents us with a world outlook of "heaven,earth and man".Tao is the law of world operation.People can perceive and express the world because of our unique “Qing Xing”:therefore,“Qing Xing” is the foundation of speech.At the micro level,external things cause people to have feelings.At the macro level,human beings and nature are in harmony,Tao dominates emotions,and emotions circle Tao.The two complement each other.The third part discusses Liu Xie's view of “Qing Xing” from the perspective of writer.During the period of Wei-Jin,southern and Northern Dynasties,the writers determined the object of study in literature,and the theory of writers was then perfected.Liu Xie's view of writers mainly discussed the four aspects of “Cai”,“Qi”,“Xue” and “Xi”.The expression of the creative subject's “Qing Xing” is a two-way process of communication between man and the world,which also has the difference between congenital and acquired.Only by integrating various factors can the author be truly recognized “Qing Xing” is cast in the article.The fourth part discusses Liu Xie's view of “Qing Xing” from the perspective of writings which can be divided into two aspects: tipe of writing and express of writing.Liu Xie always sticks to the principles of systematization,integrity and rationality.He attaches importance to the relationship between writers and writings,and also takes into account both tipe and express.He should enrich his “Qing Zhi” with temperament,which determines his language.The fifth part discusses Liu Xie's view of “Qing Xing” from the perspective of appreciation.Literary criticism and literary appreciation complement each other and are inseparable.This chapter discusses the “Qing Xing” view of appreciation dimension from the chapter "bosom friend",focusing on the rational factors in Liu Xie's criticism and the emotional factors in his appreciation theory.The sixth part summarizes the influence and development of Liu Xie's view of “Qing Xing”and expounds the contemporary value of Liu Xie's view of “Qing Xing”.This paper discusses the inheritance and development of Liu Xie's idea of “Qing Xing” in Wen Xin Diao Long in Tang,Song and Ming Dynasties,so as to provide a path for the development of contemporary social literature.Liu Xie's view of “Qing Xing” has inherited and innovated,which has great reference value and significance for contemporary writers' literary creation.