Pluralistic Portrayal Of Bashu Characters And Literary Interpretation Of Local History

Li Jieren’s long historical novels have literarily interpreted the local history of Bashu since modern times by creating a series of characters with local color of Bashu.This paper mainly studies it from the perspective of social history.The "Great River Trilogy" was written in the 1930s,when the secret social organization Paoge gradually declined due to social change.The full outbreak of the War of Resistance Against Japan made a large number of "Xiajiang people" enter Sichuan.The characteristics and changes of social groups became an important form for Li Jieren to describe historical events.With the change of Li Jieren’s identity after the founding of New China,his political figures walked from behind the scenes to in front of the stage,it has become a new focus group in the novel,and has profoundly affected the description of local history in the work.These three types of groups are typical characters that Li Jieren focuses on portraying in various stages of his novel creation,deeply reflecting Li Jieren’s keen observation and deep thinking of major events in Bashu society.Therefore,they should become the focus of Li Jieren’s novel research.Based on this approach,this article is mainly divided into three parts:The first chapter mainly studies how the Paoge character in Li Jieren’s works coexists with the market society and stimulates national empathy.The first section of this chapter mainly takes the internal operating mechanism of the secret society as the main starting point.As a special group in society at that time,Paoge was able to coexist harmoniously with the common people,and this is the key factor analyzed from this perspective.The second section mainly discusses the special place where two groups coexist-tea house.The common Lebensraum must be the basis for the common survival of Paoge and the common people.As the most common social space in Sichuan,whether the tea house’s prosperity is related to the related activities of the secret society,and whether the formulation of the internal rules of the secret society is closely related to the operation rules of the tea house itself,this can provide a new sociological perspective for the study of tea houses.The third section mainly discusses the anti foreign struggle in Li Jieren’s novels,which is the most profound manifestation of the symbiosis between the secret society and the common people.The Railway Protection Movement described in Li Jieren’s novels has the participation of the secret society from its occurrence,development to the climax.They have launched a multi-level anti foreign struggle in connection with the market society,reflecting profound national empathy.The second chapter mainly studies the changes in the social status of the "Xiajiang people" who migrated to Sichuan and their impact on Li Jieren’s literary creation.If the existence of the "secret society" provided Li Jieren with primitive material accumulation for his novels,then the "Xiajiang Man" entering Sichuan provided him with a new literary talent in his creation.The first section of this chapter mainly discusses the image of "Xiajiang people" in the "Great River Trilogy".The 1930 s when "Xiajiang people" entered Sichuan was the creative period of Li Jieren’s "Great River Trilogy".Therefore,Li Jieren’s novels involve a large number of "Xiajiang people" and occupy a large amount of space in the story plot.Therefore,analyze their social status and assigned identities in the novel,this has become a key point in analyzing Li Jieren’s attitude towards the "Xiajiang people".The second section mainly discusses the historical changes that occurred in Sichuan society due to the arrival of the "Xiajiang people" and how they were reflected in Li Jieren’s novels.After experiencing a transformation from being a "person under the feet" to a social leader,Li Jieren used what form of artistic presentation in his novels.The third section mainly discusses the social status transformation of the "Xiajiang people" after their arrival and the psychological impact they brought to the local people.Although the "Xiajiang people" depicted in Li Jieren’s novels live in Sichuan,they often consider themselves as foreigners,and the conservative lifestyle of the local people is also regarded as "rural people" by the "Xiajiang people".This analyzes the root cause of the ideological conflict between the two sides and Li Jieren’s creative mentality.The third chapter mainly analyzes the character images,especially the reshaping of officials and the values reflected in it from the perspective of the revision of "Big Wave".The first section mainly starts with the transformation of Li Jieren’s social identity,analyzing whether and how his ideological concepts and literary creations have changed compared to the previous period,from being a progressive to obtaining the political identity of Vice Mayor of Chengdu.The second section mainly analyzes the character reshaping after the revision of "Big Wave".The change in political consciousness led him to re depict the characters in "Big Wave",and the emphasis on appearance order and length changed.The emphasis on historical reality further contrasted with Li Jieren’s acceptance of politics.The third section mainly discusses the character portrayal and plot portrayal under the revision of "Big Wave",reflecting the paradox between the classical literary view and the new literature since the May Fourth Movement,so that we can correctly view the gains and losses of Li Jieren’s literary creation.