| "Touchstone painting" is an artistic tradition formed in the development of traditional Chinese painting.It is an important spirit and aesthetic pursuit of literati painting in Qing Dynasty."Stone into painting" comes from the understanding and development of "Jinshi" and "painting and calligraphy homology",highlighting the indispensable concept of ink and brush in Chinese painting and calligraphy.It is of urgent practical significance to analyze and sort out the specific practice and creation theory of "Touchstone into painting" in painting for holding the position of traditional brush and ink culture and broadening the artistic connotation of Chinese painting.This thesis focuses on several aspects such as the origin and basic characteristics of the style of the stone in Lv Fengzi’s painting,the aesthetic thoughts of the stone in painting and the understanding of the power of the stone in the author’s creation.This thesis focuses on the concept of Lv Fengzi’s calligraphy and painting stone.From the brushwork to the painting method,through the comparative study of Lv Fengzi’s specific calligraphy and painting works supplemented by evidence,this thesis introduces the influence of the stylus language,the concept of the stylus and the spiritual features of the stylus painting on the author’s creation,draws the essence from the calligraphic stylus and understands the spirit of the stylus in the practice creation of painting works. |