Research On The Artistic Features Of Modern Dance From The Perspective Of Body Aesthetics

Since the 20 th century,scientific cognition has been able to start from "body".With the proliferation of theories related to "body","body" has become a particularly important object of aesthetic judgment.In the 1980 s and 1990 s,Shusterman formally proposed the concept of body aesthetics,and finally developed a proposition of "starting from and guided by the body".At the same time,body aesthetics,as the analysis of the accumulation of body experience and the improvement of the actual function of the body,needs to criticize the body problems in a deeper dimension of practice.Since the beginning of the 20 th century,modern dance,with its rivaling the aesthetic ideal and movement idea of traditional dance,has extended the infinite possibilities contained in the body,the main site,to a new boundary,the liberation and cognition of the body have reached an unprecedented degree,but its extremely inclusive characteristics and abstract expression make the art of modern dance stand on the fuzzy boundary of aesthetics.The body aesthetics,which focuses on the analysis,improvement and improvement of the multi-level internal experience of the body,is transformed into the basis of body shaping through the continuous accumulation of aesthetic experience in practical activities.Both of them attach "body" to the subjective aesthetic self-realization mode,which leads to the author’s desire to learn the body aesthetics through cognition.Taking the mechanism of the genesis of body aesthetics and the cognition of the nature of artistic activities as an important entry point,this paper makes a new thinking and demonstration on the artistic characteristics of modern dance.