Graphic Translation Design Of Northeast Dialect From The Perspective Of Semiotics

Dialect is an important part of regional traditional culture and the carrier of people’s communication.Under the active call of Push Pu policy,many regional dialects are gradually forgotten by people.As the product of traditional culture in Northeast China,Northeast dialect has a close relationship with regional culture in Northeast China.It is also of special theoretical and practical value to protect the dialect and develop the cultural resources of Northeast China and promote the economic and cultural construction of Northeast China.Based on the basic principles of semiotics and Northeast dialect as the research object,this paper explores the basic connotation of northeast dialect culture by sorting out relevant theories of semiotics,northeast dialect and graphic translation design and overhauling logical relations,and explores how Northeast dialect carries out graphic translation design of its cultural system from the perspective of semiotics.By analyzing the translation value of "visual symbol" of Northeast dialect,it is concluded that symbolizing Northeast dialect is not only the need of cultural inheritance,but also the need of transmitting rich folk culture,and is helpful to better communication between people in different regions.Then it puts forward the design idea of translating Northeast dialect into "visual symbol",and carries out design practice on this design thinking method.To test whether this perspective can effectively guide the graphic translation design of Northeast dialects.The graphic translation design of Northeast dialect is to express the symbolic meaning in the form of "visual symbols" so as to change the inherent mode of language transmission.This paper will systematically elaborate the cultural deposits contained in Northeast dialect and the advantages of graphic design from the perspective of visual design such as graphics and symbols,and seek for innovative combination points from the cultural symbols and design symbols of Northeast dialect.It applies the Saussure semiotics theory in the graphic translation design of Northeast Miaoyu,and selects three animals from the ten great beasts of Northeast China as the translation carrier and three dialect words as the graphic translation objects,so that the Northeast dialect can be better translated into specific "visual symbols" based on the regional culture of Northeast China.It also puts forward a study on the dynamic presentation of the static graphic translation design of the Northeast dialect,in order to provide a reference example for the creation of cultural creative design with distinct Northeast regional culture.