Literary Exploration At A Historical Turning Poin

Northeast Literature and Art,which was first published on December 1,1946 and ended on January 1,1948,was the largest and most representative publication established by the Central Committee of the Communist Party of China in the liberated areas of Northeast China during the Liberation War,presenting a typical sample of the literature ecology in the liberation period of Northeast China.As an important witness and participant of the Party in literary construction on the eve of the establishment of the new regime,Literature and Art in Northeast China not only recorded the literary creation and literary movement in the liberated areas in Northeast China,but also directly promoted the reorganization of the literary pattern and the construction of literary order after Shaanxi-Gansu-Ningxia through its own literary production,organization and communication.The literature in the liberated areas of Northeast China was practiced and prefabricated on a large scale for the establishment of the new China literary system,which was the rudiment of the later literary system and had a great influence on the contemporary literature and literary system.In this paper,the literary works published in "Northeast Literature and Art" are the research center,and other related historical materials published are the research category.Literature creation in the Northeast liberated area presents a mixed state of "unfinished" on the whole.The historical environment,literary context and writers’ psychology in the liberated area are all undergoing complex changes,which are bound to be reflected in the specific literary creation,presenting a state of hesitation,struggle and exploration in the narrative.And this,to some extent,also constitutes a counterforce that further changes the structure of writers’ experience.In this process,institutions and taboos,limits and dilemmas are constantly formed,which has a profound influence on the later Chinese literature.Chapter One: the historical context of the founding of Northeast Literature and Art and the literature creation in the liberated areas of Northeast China.It is pointed out that the multi-cultural context of the production and dissemination of Northeast Literature and Art is formed by the adjustment of strategy in the historical transition period of the alternation of times,the inheritance and development of the spirit of Speech and the experience of Yan ’an,the composition of writers and the changes of readers.Chapter two: Taking the literary works of Northeast Literature and Art as the research object,starting with the three characters of peasants,intellectuals and soldiers selected for publication,the author analyzes the narrative characteristics,creative tendencies and creative difficulties encountered,which focuses on showing and carrying the writer’s exploration in literary practice in this period.These characters continue the literary topic of the May 4th New literature and the left literature.When dealing with these characters,the writer must inevitably face the struggle,compromise,new attempts and adjustment of the old and new narrative ways.How writers inherit and develop the enlightenment concept of May4 thliterature,how to face the new revolutionary subject "workers,peasants and soldiers",how to understand their own position and role in the Chinese revolution are included.Chapter three: three discussions organized around Northeast Literature and Art,including "What are typical characters","exposure or praise",the relationship between the use of dialects and language popularization,explore the writers’ creative dilemma and the solution to the literature dilemma in liberated areas under the guidance of the compulsory literature system.Thus,more rigorous literary norms were gradually constructed.