On The Application Of Sumo In Landscape Painting

Su Mo is a kind of ink,and it is the material of traditional Chinese painting.Through the continuous exploration of potential,expressiveness and special form of beauty,it can activate the aesthetics of the other side,and gradually become a method in practice,so that it can be used in the characters.,landscape,flowers and birds can appear in a new realm.Su Mo originally refers to the overnight ink,which is degummed due to the evaporation of water after standing for a long time,resulting in particles of different thicknesses,which will show the special effect of "water and ink do not leave" on the rice paper,which can enrich the expressive power of calligraphy and painting.Compared with fresh ink,the color of Su Mo is darker and brighter,and the covering power is stronger.Regarding the development of Su Mo,Guo Xi already put forward the concept of "Su Mo" in the Song Dynasty,but at that time,painters still generally used freshly ground ink,and lacked the application of Su Mo in practice and theory.and thinking.The ancients believed that the main reasons for "Su Mo not available" were stagnant writing,dirty and messy colors,strange odors,and unfavorable preservation of works.It was not until modern times that Huang Binhong applied Su Mo to his landscape paintings,forming a "Thick and Moisturize".artistic effect,and developed a set of art theories,creatively listed it as one of the “seven ink methods” of thick,light,splashing,breaking,accumulating,burning,and su The height of Chinese painting promoted the development of Chinese painting.Modern painter Wu Shanming combined the brush and ink artistic conception of landscape painting and applied it to the creation process of figure painting,landscape elements as background,and developed a unique style of ink and ink.And he systematically sorted out Su Mo’s language,aesthetics and techniques,and compiled it into "Su Mo Law".The transformation of painting tools is accompanied by the transformation of people’s aesthetic consciousness,and Su Mo is gradually accepted by the public.This paper expounds the concept of Su Mo,roughly sorts out the development of Su Mo,and analyzes its materials and visual characteristics.It also lists two artists who have contributed the most to the development of Su Mo in modern times: Huang Binhong and Wu Shanming,and analyzes the artistic characteristics of Su Mo in their paintings.Through his own practice creation,he expounds Su Mo’s pen trace and ink interest,Su Mo’s virtual and real changes,the relationship between black and white,and the relationship between complexity and simplicity.Summarize the experience accumulated in the process through study and practice,including the precautions when using Sumo and the inspiration and insights brought by this research topic.