The Multicolor Of Splitting Tone

The thesis chooses the music piece "In vain" as the research object,which is from Georg Friedrich Haas,one of the most popular composers in the West today.In this thesis,the specific content involves the internal temperament and the sound layout,texture form and rhythm form under the influence of the temperament system.The author uses the demonstration method of combining score examples with tables,with different parameters comparison,thus revealing how Haas clearly and profoundly implements the whole piece,and how to use sound splitting technology as the first element to build a microscopic but prosperous sound space on the basis of overtone series.The thesis is mainly divided into four chapters: The first chapter introduces the background of the piece,the composer’s life and the aesthetic orientation of the genre,and takes the composer’s unique style and creative techniques as a breakthrough to better understand the piece.The second chapter studies the typical texture representatives in the piece,which are mainly summarized as ladder movement form and chord static form.These two textures are just the representative forms of the two temperament systems,which will warm up the temperament system analysis in the next chapter.The third chapter,as the focus of the paper,based on the change of the temperament,according to the macro-micro perspective,combined with the texture morphology and the characteristics of orchestration under different temperament in the fragment,using the table to compare,analyze and summarize.The fourth chapter studies the rhythm organization in the piece,including the flowing net-form rhythm and the gradual rhythm movement.