| Longnan Baima Tibetan people have lived in the northwest of China for generations deep in the mountains,and now still maintain a relatively complete original ecological characteristics,the unique local Nuo dance "Chi Ge Zhou" in daily life and production are able to show the Baima people’s fear and worship of nature and the gods,highlighting the original characteristics of human survival and behavior motivated by the face of the unknown.The Whitehorse people’s reverence for and worship of nature and the gods in their daily lives and production highlight the primitive characteristics of human survival and behavior motivated by the unknown.The Baima people balanced the pursuit of spirituality between nature and faith,life and survival,and took the initiative to design and create a series of visual images of "Chi Ge Zhou" to improve the visual transmission and leadership of their faith.In addition,this paper also explores the relationship between the metaphor,decoration and culture of early human visual images from the importance of "Chi Ge Zhou" to the Tibetan people of Baima and the current situation of its development and dissemination,and explores the operation mechanism of various manifestations of spiritual activities and beliefs.After analyzing the metaphysical visual images and primitive religious projections of the Tibetan group in Baima with respect to the group consciousness of "Chi Ge Zhou",the paper further investigates how the visual images in "Chi Ge Zhou" affect the spiritual world of the Baima people,recording their unique images,shapes,and symbols,and understanding the internal causes of their occurrence.The study also examines the influence of some foreign cultures on the local culture.When visual attributes intertwine with spiritual attributes and aesthetic needs,a relatively complete set of ritual processes for expressing the desire for a better life is created,which is actually a general rule of survival and group identity for early humans. |
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