Artistic Analysis And Singing Control Of "Lin Huiyin" In The Opera "Farewell To Kangqiao"

The opera "Farewell to Cambridge" is a small opera full of cultural atmosphere directed by Chen Wei and composed by Zhou Xueshi.Different from the grand scale of the serious opera,farewell to Cambridge brings us a refreshing feeling with its unique and novel form,concise arrangement and thick literary content,this is a pioneering attempt of Chinese National Opera,which reflects the pluralistic exploration in the development of Chinese National Opera.This article is divided into three parts.The first chapter begins with Lin Huiyin’s poetic life and briefly narrates her life experience,which is also the soil that nourishes the flower of Lin Huiyin’s literature,from the aesthetic point of view,this paper expounds the literary artistic conception contained in Lin Huiyin’s poetry,which is also the chorus of inspiration,a peach blossom and the day after rain in the opera,analyze the artistic blending of poetry and music in this opera.The second chapter is composed of three sections.The first two sections try to analyze the musical structure of the opera from the creative point of view The third section mainly studies the harmony of the language tone and the melody in Lin Huiyin’s representative aria a peach blossom and the rising of the day,which lays a solid theoretical foundation for the following singing practice.In the third chapter,focusing on the control of Lin Huiyin’s performance,and connecting with the performance practice,we carefully select the two solo arias of the heroine Lin Huiyin,a peach blossom and the rising of the day,and combine the stage performance and movement,from the aspects of breath,diction and timbre,this paper explores how to re-create the songs accurately,and how to grasp the whole music image of Lin Huiyin from the aspects of technique and emotion.