Music Ontology Analysis And Performance Techniques Of Prokofiev’s Six Piano Sketches Op.52

Sergey Sergeyevich Prokofiev is a great composer,pianist and conductor of the Soviet Union in the 20th Century.He is well known as the 20th Century avant-garde ’leader.Which is based on the forefront of serious music innovators.His works cover various fields and genres.While inheriting the classical creation techniques,he also opened up his own 20 th century music vocabulary.This article will take the’six piano pieces Op.52 ’ works in the ’Prokofiev Piano Works Collection ’(edited by Lukyanchenko)published by the Russian National Music Publishing House as the research blueprint to analyze and study its music ontology and performance techniques.’Six Piano Pieces Op.52’was completed in 1931,which was the work of Prokovev in the middle of his creation.The piano piece is based on Prokofiev ’s ballet ’back of the prodigal son ’,’ five melody Op.35,no.4 ’,’first string quartet ’ and ’ A major minor symphony Op.48 ’ fourth movement as the material adaptation.This work combines the clear and rigorous structure of classicism with the personal emotional expression of romanticism,and both the twentieth century music innovation style.This paper will systematically and deeply explore the ’ Six Piano Pieces Op.52 ’ from three aspects:music ontology analysis,performance technique analysis and music style characteristics,so as to better understand the music style and performance characteristics in the middle of its creation.