Research On Harmony Techniques In Guo Wenjing’s Opera Poet Li Bai

Guo Wenjing is one of the most influential composers in the field of Chinese opera today.His operas are closely related to Chinese culture from themes and texts to musical elements.The opera Poet Li Bai is one of the six operas that Guo Wenjing has created so far.It is based on Li Bai’s ups and downs in life experience and well-known poems.Through the personalized pitch organization technique,the music and drama are subtly coordinated and unified,and the overall re-creation of the opera genre is realized.This article studies the harmony technique and related content of the opera Poet Li Bai.The main content is divided into four chapters:The first chapter introduces the creation background and music-drama structure of the opera Poet Li Bai,and sorts out the relationship between the music structure and the drama structure.The second chapter analyzes the basic structural components of two different pitch materials under harmony thinking and mode thinking,and summarizes their main statement forms.The third chapter analyzes the more typical harmony vocabulary,mode and tonality relationship processing techniques,and discusses its pitch organization logic.The fourth chapter analyzes the principle of musical form organization of the whole opera,compares Poet Li Bai with several other works of Guo Wenjing,and tries to find some commonalities in their harmony organization.Through the analysis of the harmony techniques of the opera Poet Li Bai,the more personalized harmony vocabulary in the work is extracted,and on this basis,it further explores the role of its pitch organization logic in the drama structure,character creation and plot promotion.In order to provide reference for the creative practice and theoretical research of contemporary Chinese opera.