| In recent years,Erhu music has developed with the progress of The Times,and many excellent works with more diversified themes have emerged." Chu Song",composed by young composer Li Bochan in 2014 for double Huqin and national orchestra,and " Taohuawu",composed by young composer and pianist Li Yuanqing in 2019,are among the representative works.On the basis of meeting the technical requirements,the two pieces give full play to the erhu performance techniques,show the unique charm of Chinese music culture,reflect the timbre of the erhu and the beauty of the music language,and have high artistic value and difficulty in performance,avoiding the idea of many contemporary composers just to show off their skills.Although they are two young composers,their works are among the best of modern Erhu works.By studying the representative works of two young composers,this paper will enrich the textual data of the erhu works of Li Bochan and Li Yuanqing,and provide a new research perspective and reference;At the same time,the interpretation of modern erhu works in recent years has certain reference significance,which helps players to understand the creation style of the two modern young composers more accurately,so as to better deduce and interpret the works,improve the spiritual connotation of performance.The author will analyze the erhu works of the two composers from the two dimensions of creators and performers.Taking the two pieces of music "Chu Song" and" Taohuawu" as examples,the author will discuss the similarities and differences of the two composers in terms of creation style,creation techniques,musical language characteristics,etc.At the same time,based on the performance practice,the author will summarize how to perform the works better.It is concluded that the development of Erhu works needs to combine tradition with modernity,and only by making full use of the characteristics of the timbre of Erhu and developing the characteristics of folk music can the music be more appealing. |
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