| In the village of Shantanwan,Qianhe Township,west of Yulin City,stands a hugetemple group called "Baoning Temple",and the most spectacular of the temple’s various ritual activities is the "Baoning Fort Old Yangge",which was originally called"The purpose of this song is mainly to visit the temple and sacrifice to the gods,and with the evolution of the times,the old rice rice-singing song of Baoning Fort has gradually become an old rice rice-singing song that integrates the three aspects of visiting the temple and sacrificing to the gods,along the gate,and performing a large field.Unlike other rice-songs in northern Shaanxi,the old rice-song of Baoningbao is not only the only rice-song that keeps the traditional original ecological performance,but also has the dance performance form of "song,dance,and music" in ancient times.The author starts from the perspective of art anthropology,using dance theory,anthropology,dance morphology and other related dance theories,and makes a preliminary exploration of the internal morphological development of "Baoningbao Old Yangge",and stands in the context of the macro human geography,with human subjects,and takes Baoningbao Old Yangge as the research object,and examines its formation source,unique dance movement patterns and survival status from various aspects.The article is divided into four chapters.The article is mainly divided into four chapters,the first chapter is based on art anthropology as a whole,tracing the formation source of "Baoningbao Old Yangge",analyzing its social survival environment,expounding its traditional performance form and the artistic performance characteristics embodied in the background of ancient traditional folk culture and beliefs;the second chapter is the author’s study of the "Baoningbao Old Yangge".In the second chapter,I investigate the survival field of "Baoningbao Old Yangge" and analyze the dance form and the cultural connotation of "Baoningbao Old Yangge" based on the survival field;in the third chapter,I fully place "Baoningbao Old Yangge" in the academic field of art anthropology.In the fourth chapter,on the basis of field investigation,the author discusses the current situation of its survival and the development problems,and looks forward to its future development. |