| The Northeast Yangge is an artistic treasure created and accumulated by the working people of Northeast China for a long time,and in the inheritance and development of Northeast Yangge,small props play a vital role as the main components of Northeast Yangge.This dissertation takes the octagonal handkerchief flower of the Northeast Yangge as an example,focusing on the historical causes of the octagonal handkerchief flower and its ethnic cultural connotation to explore its semantic creation method and apply it to dance practice,and constructs the whole text in the following way,divided into three parts with five chapters.The first part is Chapter 1,in which the introduction focuses on the frontier of the selected topic through the purpose of the study,the significance of the study,the current status of the study,the research method,and the integration of relevant literature;the second part is Chapters 2 and 3,which are the theoretical basis of the article.Chapter 2 mainly deciphers the semantics,dance props,the semantics of dance props,and the basic concepts of Northeast Yangge props.The third chapter analyzes at the theoretical level the reason for the division of the Northeast Yangge small prop octagonal handkerchief flower its surface semantics,middle semantics,and deep semantics;the third part is the fourth chapter,the empirical analysis,using the original work as an example to guide the practice of the three semantic levels of octagonal handkerchief flower with the theoretical foundation of this study;the fifth chapter is the extension,mainly analyzing the trend of the semantic creation of Northeast Yangge small prop,so that its semantic creation applies to the development of contemporary dance and meets the aesthetics of contemporary people,thus driving the development of dance culture in the Northeast. |