| Yang Zhijun’s novel is based on his passion for the Tibetan plateau countryside,and he externalizes this passion into a specific image,the "wilderness".This image not only shows the vastness of the natural environment,but also reveals the relationship between man and nature,showing the spiritual state of the people and animals in the wilderness,as well as thinking about the social crisis of faith and ecological crisis.The "wilderness" imagery.The "wilderness" imagery in Yang Zhijun’s novel is essentially a reflection on the state of existence of modern human life,which is a symbol of the trinity of material,spiritual and social wilderness of human society.This imagery has the subtle influence of Tibetan culture,the origin of Eliot’s"Wilderness" and American wilderness literature,and also the influence of Yang Zhijun’s unique life experience and life experience.This paper takes the "wilderness"imagery as the entry point and strives to show the excavation of the spiritual culture of the wilderness in Yang Zhijun’s series of novels,to interpret the specific image,connotation and characteristics of the wilderness imagery from multiple angles,to discover the gains and losses brought by the wilderness imagery to his creation,and to reveal the uniqueness and characteristics of his "wilderness" imagery."The first chapter is the introduction.The first chapter is the introduction.The "wilderness" has gone through an evolutionary process from a symbol of nature to a symbol of spirit,and "wilderness" as a research perspective has also had a process of introduction to development.At present,there are few studies on "wilderness imagery",and they mainly focus on English and American literature,and there is a lack of research on "wilderness" imagery in Yang Zhijun’s works.Chapter 2 focuses on the process of constructing Yang Zhijun’s "wilderness" consciousness.The "wilderness" imagery is an interpretation of "wilderness consciousness",which has gone through a process of germination,development and establishment.Yang Zhijun’s concern for the "wilderness" originates from his experience of living in Qinghai.His early reading and Tibetan culture planted the seeds of his writing,and the "wilderness" under his pen reveals a very open and rustic nature.After leaving Qinghai,Yang Zhijun’s "wilderness consciousness" has changed due to the impact of urban culture and the influence of both Chinese and foreign cultures,and the connotation of "wilderness" has been expanded to refer not only to the wilderness but also to all human civilizations.It is also during this period that Yang Zhijun’s idealistic spirit flourished again,and he began to write about the ideal "wilderness" in his heart,and it is also during this period that Yang Zhijun became clearer that the "wilderness" is his spiritual home.At this point,Yang Zhijun’s "wilderness" consciousness has completed the process of germination,deviation,return and finalization.Chapter 3 focuses on the imagery composition of the "wilderness" in Yang Zhijun’s novels.From the composition of textual expressions,Yang Zhijun’s literary creations basically constitute a large imagery system with the wilderness,wilderness people and wilderness animals as the core.The "wilderness" as a whole includes the natural form of the wilderness and the humanized wilderness;the wilderness people and wilderness creatures complement the imagery of the "wilderness" and present the free and wild power of the "wilderness".The fourth chapter focuses on Yang Zhijun’s work.Chapter 4 focuses on the connotation of Yang Zhijun’s "wilderness" imagery,which is his philosophical contemplation of the relationship between human beings,nature and fate.The "wilderness" in his writing is a triadic unity: one is the material wilderness,the other is the spiritual wilderness,and the third is the social wilderness,and his unique "wilderness" imagery can be interpreted from three levels: the difficulty of survival,the meaning of life,and the hidden worries of home.Chapter 5 focuses on the aesthetic characteristics of Yang Zhijun’s "wilderness" imagery.Yang Zhijun’s "wilderness" imagery is permeated with poetic,mysterious,and absurd aura.Yang Zhijun’s imagination is stimulated by his own "poet complex" and the "romanticism" of Tibetan culture,and he depicts many poetic images,forming the poetic nature of the "wilderness".The strong religious sentiment of Tibetans and the folk cultural resources such as Tibetan Buddhist hidden stories,epic legends,fables and myths deepen the mysterious nature of the "wilderness".The wildness and disorder of the "wilderness" itself and the actions of the "wilderness people" under irrational psychological domination make the "wilderness" have an absurd color and appear to be The sixth chapter focuses on Yang Zhijun’s work.Chapter 6 discusses the creative value of the "wilderness" imagery in Yang Zhijun’s novels.The core of Yang Zhijun’s "wilderness" imagery is Tibetan culture,and it is directly inspired by the current ecological destruction,so it has a national spirit and ecological consciousness.The crisis implied by the "wilderness" also serves as a warning to modern people who have lost their faith,reminding them to keep searching for and pursuing faith to be saved.At the same time,the ecological writing and human expression of the "wilderness" are integrated into the light form of children’s literature,which also enriches the theme of children’s fiction.The concluding section objectively analyzes the gains and losses of Yang Zhijun’s creation brought by the "wilderness" imagery writing.The extensive writing of "wilderness" imagery has kept Yang Zhijun’s writing in a marginalized state,so his novels have not been included in the current mainstream critical discourse.The ecological and spiritual crisis that Yang Zhijun’s "wilderness" imagery points to is based on his personal life experience,in line with the trend of the times,and has real significance as a warning for the development of contemporary society. |
