Research On The Category Of "Qiao" In The Literary Criticism Of The Wei,Jin,Southern And Northern Dynasties

"Qiao" is an important category of ancient Chinese literary criticism.The essence of"Qiao" is "technology",emphasizing the artificial meaning.When it entered the field of literary criticism,it represented the technicality of art on the one hand,and the transcendence of technicality on the other hand.It is not accidental that this category entered the field of literary criticism during the Wei,Jin,Southern and Northern Dynasties,but naturally entered the field of literary criticism under the philosophical background of metaphysics reconciling the nature and the Confucian ethical code,the historical background of self-awareness awakened and individual value displayed,and the practice of literary creation that pursuing of"Qiao".As an aesthetic category,"Qiao" was widely used in the critical practice of literature,painting,calligraphy,music and other fields during the Wei,Jin,Southern and Northern Dynasties.The "Qiao" in literary criticism during this period formed rich aesthetic connotation.The systematic study of "Qiao" is helpful to understand the spirit of the times,and also helpful to us to understand the category of "Qiao" with national cultural characteristics.This paper is divided into five chapters for research:the first chapter examines the background of "Qiao" entering literary criticism in the Wei,Jin,Southern and Northern Dynasties from three aspects:etymology,philosophy,and era;The second chapter explores the main theoretical content of "Qiao" in literary and artistic creation,including two basic questions:the source of "Qiao" is talent or effort,and how the "Qiao" is realized in literary and artistic creation.The third chapter analyzes the aesthetic performance of the aesthetic category of "Qiao" in the fields of literature,painting,calligraphy,music and other artistic fields,and grasps the aesthetic characteristics of "Qiao" through specific theories.Based on the combing of the aesthetic expression of "Qiao" in different artistic fields,the fourth chapter summarizes the main aesthetic connotations of "Qiao" in literature and art.The fifth chapter summarizes the aesthetic value of the category of "Qiao" and discusses the contemporary enlightenment of this category in combination with the current situation of literary creation and literary criticism.