A Study Of "The Treasure Scroll Of Li Sanniang"

In the late Qing Dynasty and the Republic of China,there appeared many scrolls related to the stories of Liu Zhiyuan and Li Sanniang.Opera "white rabbit" and its adaptation to the literature,in comparison with traditional story baojuan has not been changed,the story of the key nodes which will ensure the story of "stability",by xuan volume mainly adopts rap story is widely spread in the form of text,baojuan must be put on "the table","reading",and the on the stage play speech time is limited,In order to create a solemn atmosphere while achieving the function of entertainment and advice,the story of the Scroll will be appropriately innovated and adjusted in form and content,which gives the story of the Scroll certain "freedom".This paper USES literature in the traditional story baojuan "three li niang baojuan" as the main research object,the version of the literature of collected baojuan and geographical textual research,comparative baojuan and yingying,dynasties,the plot of the similarities and differences between legend,analysis the characters,folk beliefs,narrative of baojuan program and function to five parts.Firstly,the collected scrolls are sorted and listed in the form of tables,mainly discussing the editions and regional retention of the scrolls related to the themes of Liu Zhiyuan and Li Sanniang,in order to fully explore the historical value of the collected scrolls.Second,compared with the same subject matter works of art,from opera adaptation baojuan in the text with "change" and "the same" part,therefore,this part mainly from the "stability" and "freedom" two aspects to analyze the adaptation problem of "three li niang baojuan" the law of the story,although the genre is different,but in the author collected by the same motif of the story,The central characters,the central story and the theme of the story are constant.As far,liu li san niang story related to the text in the civil widely circulated,and involves many art genre,is baojuan the genre,in order to xuan volumes about purpose,stress the theme of the protagonist’s tenacity and encouraging people thought,the playwright in the characterization,mainly by means of contrast between good and evil.The emphasis of this chapter is the strengthening to weakening of Liu Zhiyuan’s unfaithful image,the weakening to strengthening of Li Sanniang’s virtuous image,and the transformation of the good and evil images of the supporting characters.Thirdly,it discusses the integration of "Li Sanniang scroll" into folk beliefs.Due to the particularity of this art genre,the scroll involves many contents related to religious culture or folk belief,including the purpose,results and visions of the birth of the children obtained by worshippers.In addition,the way of appearance and the role of the earth god in the works are also different.The animal worship part is analyzed from the three animals: dragon,snake and rabbit.Finally,the author discusses the phenomenon of divination involved in the text from the two aspects of psychology and purpose of divination.Finally,the stylized characteristics of the opera adapted from baojuan are summarized.The narrative formula part mainly refers to Propp’s research method on the form of stories and Shi Aidong’s view of "the stability and freedom of folk stories" from two aspects of language formula and structure model.Examples are given to illustrate some parts of the book collected by the author,analyze their reasons and explain their functions.And on the basis of the story,it discusses the role of entertainment and enlightenment in the scroll.