An Analysis Of The Rehearsal And Conducting Of Bruckner’s Three Motets

This thesis takes the three motets of Joseph Anton Bruckner,the representative figure of late romanticism in the 19 th century,as the research object,makes an in-depth analysis of the musical forms presented in the works,and based on the assumption of rehearsal problems in advance,This thesis focuses on the study of the solution to the rehearsal problems of the three motets《Ave maria》《Locus iste》《Os justi》.This thesis consists of four chapters.The first chapter briefly introduces Bruckner’s learning experience and the writing background of three motets.Chapter two to Chapter four is the main body of this thesis.The second chapter deeply discusses the style,structural characteristics,harmony and polyphonic techniques of Bruckner’s motets.The third chapter is a series of solutions to the problems that may be encountered in the rehearsal.Chapter four discusses the beginning of the command method,which is described from several different starting angles.