Research On The Creation Practice Of Landscape Painting Under Xinjiang S Historical Culture And Region

Xinjiang is rich in cultural and geographical landform resources,because its regional landscape painting lacks the support of the traditional painting system,coupled with its late development,and is not yet mature for the landform expression language,xinjiang’s history and culture have been closely related to its region for a long time,and adapting to local conditions is the true portrayal of Xinjiang’s long-term development,especially in humanities,arts,system,production and life.The physiognomy of Xinjiang is similar to that of Bare Mountain,and its texture and structure are also representative in the physiognomy of northwest China.This article will discuss through five chapters,from the drawing style formation factor,the Xinjiang region performance theme and the culture and the region fusion three angles of view analyzes in the fine arts creation about Xinjiang history culture and the physiognomy relations,through this kind of connection,the author classifies the subject matter of the series “Treasure hunt in the western regions”and combines the culture and the landform organically.On the inheritance and transformation of creative ideas and Schemata,tracing the trends and laws of traditional and contemporary transformation,sorting out the transformation of ideas with historical nodes and the characteristics of the Times in schemata language,furthermore,the author combines the adaptability of the series of “Treasure hunt in the western regions”under the regional environment of Xinjiang,in order to meet the needs of contemporary aesthetic Schema language.From the aspects of cultural characteristics and regional characteristics,the author analyzes the application of the specific creation theory and the transformation of the painting language of “Treasure hunt in the western regions”,by comparing and analyzing the traditional forms of cultural expression with the forms of Cultural Expression in “Treasure hunt in the western regions”,and combining with the actual cultural characteristics,this thesis comes to a conclusion that the creation has a new form of expression in cultural elements,it also analyzes the characteristics of Xinjiang’s regional style and features related to the creation and compares them with the traditional expression language,so as to form a expression language that is more suitable to the several geomorphological features involved in the creation,and cultural elements at the same time.Finally,the author takes the series creation as the starting point,carries on the derivation prospect from the different angle of view,fully summarizes the enlightenment from the perspective of culture,region and space,etc.,with a view to the combination of historical culture and geomorphology in Xinjiang landscape painting creative form has a certain inspiration.Under the drive of the times aesthetics,how to inherit and innovate the art creation,how to draw lessons from and absorb the foreign art correctly,and how to change the former creation form,and how to root in the traditional art,this needs the artist to ponder seriously.The author combines the historical culture with the geomorphologic features,and tries to open the mind to interpret the culture and the region from a new perspective.