A Study Of Tang Di’s Tengwang Pavilion

Tang Di is an important representative painter of Li Guochuan school in the history of landscape painting in the Yuan Dynasty.His landscape painting not only inherits the vigorous and boundless style of the landscape in the Northern Song Dynasty,but also integrates some pen and ink techniques of Dong Junan school,thus forming his unique painting style.This paper takes Tang Di’s painting of Tengwang Pavilion as the research center,so as to have a glimpse of the development of boundary painting in landscape painting of the Yuan Dynasty.This paper mainly analyzes the picture of Tengwang pavilion from three aspects.Firstly,it analyzes Tang Di,the author of the picture of Tengwang Pavilion.This chapter makes an analysis of the author of the painting of Tengwang pavilion from the life of Tang Di,his painting style and his comparison with other painters of Li Guo Chuan school in the Yuan Dynasty.The second chapter is the analysis of the noumenon of Tengwang Pavilion.The author analyzes and explores Tengwang pavilion from the perspectives of tree stone,composition,pen and ink,inscription and postscript and seal.In the third chapter,the author expands the research perspective of Tengwang Pavilion.This part is mainly carried out from two directions.One is to place the picture of Tengwang Pavilion in the whole boundary painting of the Yuan Dynasty,and see the appearance of the boundary painting of the Yuan Dynasty through the analysis of other boundary painting works of the Yuan Dynasty.The second is to make a vertical analysis of the picture of Tengwang Pavilion.Through the analysis of the picture of Tengwang Pavilion recorded in the history of painting and existing today,we can see the painter’s different expressions of the same painting theme.