A Study Of Nishikawa Miwa's Films From The Perspective Of The Autho

Miwa Nishikawa,as one of the best female directors in Japan,influenced by Hirokazu Koreeda,her films revolve around themes such as "family","interpersonal relationships" and "daily life".Since her debut work Snake and Strawberry,Miwa Nishikawa has always adhered to the concept of integration of choreography and director,participated in the whole process of film production,and won many Japanese film awards.In the film,with its delicate female perspective,combined with the social style of various places,the personality of film characters and the personal experience of the director,the director fully shows his care for the individual and his reflection on society.She integrated her thoughts and feelings about life into the film and showed the Japanese aesthetics in her eyes based on inheriting the advantages of her predecessors.The Auteur theory emphasizes that the actual creator of the film is the director,not the screenwriter,and the director must be in an absolute dominant position in film production.This article selects the six-length film directed by Miwa Nishikawa as the research object,and analyzes the personal characteristics embodied in the film from the three dimensions of the poetic documentary style,trauma theme and style origin of the style.On this basis,this article tries to introduce the understanding and criticism methods of "authorism" to Miwa Nishikawa.In film research,try to explore the creative experience of Miwa Nishikawa and the reasons for the formation of film style.The thesis is mainly divided into four chapters.The first chapter elaborates the life and creative experience of the director;the second chapter deeply analyzes the poetic documentary creation style of Miwa Nishikawa’s films and explores its "author" characteristics;the third chapter discusses the trauma theme in Nishikawa Miwa’s films,and analyzes the root causes,appearance and creation of trauma in his films.Injury repair:Chapter 4 establishes Miwa Nishikawa’s identity as a "film author" and analyzes the reasons for the formation of her personal characteristics from three perspectives: growth experience,previous influence and Japanese sad aesthetics.The author tries to study Miwa Nishikawa’s films from the perspective of "authorism" and excavate its consistent sequence of works,which has a certain creative inspiration for the relatively scarcity of original directors in the domestic film market.