| At the beginning of the founding of the People’s Republic of China,the government followed the popular literary thought advocated in Yan’an period in the construction of cultural ideology,which promoted the "drama reform" movement.From the "first national opera viewing and performance conference" in 1952 to the "National Modern Peking opera performance" in 1964,in just 13 years,government cultural departments and performing arts institutions(troupes)at all levels have held more than 100 opera viewing and performance performances,which has caused extensive influence and far-reaching influence throughout the country.From 1952 to1958,the work of "drama reform" was mainly to sort out and adapt traditional operas.Therefore,the operas in the Opera Concert at that time fully implemented the purpose of "getting rid of the dross in the old operas and carrying forward the traditional culture",and showed the image of independence,self-confidence and self-confidence of new China by shaping the tragic life experience of women and farmers at the bottom of society and the spirit of unyielding resistance.In order to keep up with the overall progress of national socialist construction,the work of "drama reform" from 1958 to 1964 mainly focused on editing and creating modern drama.Therefore,the creators gave the characters in the drama socialist thought,and the inspirational image of hard struggle has become a model in the hearts of the people.It can be said that from 1952 to 1964,the Cultural Department of the government closely connected cultural construction with social and economic construction through "drama reform".At the same time,by holding national opera concerts,it provided templates for the "drama reform" work in various places,and then presented plays in line with the current ideology to the people as viewers through provincial,municipal,District,county and township opera concerts,Imperceptibly affect and change their mental outlook and ideas.From 1952 to1964,the biggest change of the people is from passively accepting the adapted traditional drama to actively creating modern drama and even performing on stage.It can be seen that the new values and ethics have become the "normalization" of the people.Therefore,different from other ways of shaping socialist "new people",the "delicate revolution" of opera injects the mainstream ideology into the daily life of the people in the form of joint performance,and becomes their value measurement standard. |